“Standing before this building, I learn something about fear. I learn that it is not the idle fantasies of someone who maybe wants something important to happen to him, even if the important thing is horrible. It is not the disgust of seeing a dead stranger, and not the breathlessness of hearing a shotgun pumped outside of Becca Arrington's house. This cannot be addressed by breathing exercises. This fear bears no analogy to any fear I knew before. This is the basest of all possible emotions, the feeling that was with us before we existed, before this building existed, before the earth existed. This is the fear that made fish crawl out onto dry land and evolve lungs, the fear that teaches us to run, the fear that makes us bury our dead.”

Source: Paula

Part III: La Clé des Chants (p.103)
The Unquiet Grave (1944)
Context: There is no hate without fear. Hate is crystallized fear, fear's dividend, fear objectivized. We hate what we fear and so where hate is, fear will be lurking. Thus we hate what threatens our person, our liberty, our privacy, our income, our popularity, our vanity and our dreams and plans for ourselves. If we can isolate this element in what we hate we may be able to cease from hating. Analyse in this way the hatred of ideas or of the kind of people whom we have once loved and whose faces are preserved in Spirits of Anger. Hate is the consequence of fear; we fear something before we hate; a child who fears noises becomes the man who hates them.

Source: A Sand County Almanac, 1949, Manitoba: Clandeboye, p. 168.
Source: A Sand County Almanac and Sketches Here and There

Quoted in K. Patrick Malone, Inside a Haunted Mind (2008) p. 167

Source: The Ladies of the Corridor

Source: Upstream: Selected Essays

Crazy Loco Love: A Memoir (2008)

Vergil in Averno (1987)