“.. Since I myself needed a year to discover the significance of this strange work, many of the texts and tunes, particularly in the first paintings, elude my memory and must - like the creation as a whole so it seems to me - remain shrouded in darkness.”

Charlotte's 4th introduction page, related to image JHM no. 4155-4 https://charlotte.jck.nl/detail/M004155-d: 'What is man, that thou art mindful..', p. 44
the quote is written in brush, combined with one rough painted figure
Charlotte Salomon - Life? or Theater?

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Charlotte Salomon 25
German painter 1917–1943

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“The creation of the following paintings is to be imagined as follows: A person is sitting beside the sea. She is painting. A tune suddenly enters her mind. As she starts to hum it, she notices that the tune exactly matches what she is trying to commit to paper. A texts forms in her head, and she starts to sing the tune, with her own words, over and over again in a loud voice until the painting seems complete. Frequently, several texts take shape, and the result is a duet, or it..”

Charlotte Salomon (1917–1943) German painter

Charlotte's 5th introduction page, related to image JHM no. 4155-5 https://charlotte.jck.nl/detail/M004155-e: 'The creation of the following..', p. 45
this quote is written in brush over the whole page of the painting, without any figure
Charlotte Salomon - Life? or Theater?

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“My advice to myself and to everyone else, particularly young people, is to turn on, tune in and drop out.”

Timothy Leary (1920–1996) American psychologist

A Trip with Paul Kassner <!-- Politics of Ecstasy 1999 p. 215 -->
The Politics of Ecstasy (1968)
Context: My advice to myself and to everyone else, particularly young people, is to turn on, tune in and drop out. By drop out, I mean to detach yourself from involvement in secular, external social games. But the dropping out has to occur internally before it can occur externally. I'm not telling kids just to quit school; I'm not telling people to quit their jobs. That is an inevitable development of the process of turning on and tuning in.

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“What seems most significant to me about our movement is that we have freed painting from the importance of the subject. I am at liberty to paint flowers and call them flowers, without their needing to tell a story.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Quoted in: Charles Altieri (1989) Painterly Abstraction in Modernist American Poetry, p. 169: Talking about the movement of Impressionism.
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