“.. Since I myself needed a year to discover the significance of this strange work, many of the texts and tunes, particularly in the first paintings, elude my memory and must - like the creation as a whole so it seems to me - remain shrouded in darkness.”
Charlotte's 4th introduction page, related to image JHM no. 4155-4 https://charlotte.jck.nl/detail/M004155-d: 'What is man, that thou art mindful..', p. 44
the quote is written in brush, combined with one rough painted figure
Charlotte Salomon - Life? or Theater?
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Charlotte Salomon 25
German painter 1917–1943Related quotes

Charlotte's 5th introduction page, related to image JHM no. 4155-5 https://charlotte.jck.nl/detail/M004155-e: 'The creation of the following..', p. 45
this quote is written in brush over the whole page of the painting, without any figure
Charlotte Salomon - Life? or Theater?

In a letter to the Dutch Fauvist painter Father Verkade, 12 June 1938; as quoted in Alexej Jawlensky, Jürgen Schultze; M. DuMont Schauberg, Cologne 1970, p. 39
1936 - 1941

Bible Teaching and Religious Practice http://books.google.com/books?id=sujuHO_fvJgC&pg=PA568&dq=twain+%22Bible+Teaching+and+Religious+Practice%22&cd=1#v=onepage&q=twain%20%22Bible%20Teaching%20and%20Religious%20Practice%22&f=false.
"Bible Teaching and Religious Practice" (1923)

A Trip with Paul Kassner <!-- Politics of Ecstasy 1999 p. 215 -->
The Politics of Ecstasy (1968)
Context: My advice to myself and to everyone else, particularly young people, is to turn on, tune in and drop out. By drop out, I mean to detach yourself from involvement in secular, external social games. But the dropping out has to occur internally before it can occur externally. I'm not telling kids just to quit school; I'm not telling people to quit their jobs. That is an inevitable development of the process of turning on and tuning in.

Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 307

Quoted in: Charles Altieri (1989) Painterly Abstraction in Modernist American Poetry, p. 169: Talking about the movement of Impressionism.
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