“I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something about her brought to mind a painting by Edward Hopper which I had seen several years before at the Museum of Modern Art in Manhattan. In New York Movie (1939), an usherette stands by the stairwell of an ornate pre-war theatre. Whereas the audience is sunk in semidarkness, she is bathed in a rich pool of yellow light. As often in Hopper’s work, her expression suggests that her thoughts have carried her elsewhere. She is beautiful and young, with carefully curled blond hair, and there are a touching fragility and an anxiety about her which elicit both care and desire. Despite her lowly job, she is the painting’s guardian of integrity and intelligence, the Cinderella of the cinema. Hopper seems to be delivering a subtle commentary on, and indictment of, the medium itself, implying that a technological invention associated with communal excitement has paradoxically succeeded in curtailing our concern for others. The painting’s power hangs on the juxtaposition of two ideas: first, that the woman is more interesting that the film, and second, that she is being ignored because of the film. In their haste to take their seats, the members of the audience have omitted to notice that they have in their midst a heroine more sympathetic and compelling than any character Hollywood could offer up. It is left to the painter, working in a quieter, more observant idiom, to rescue what the film has encouraged its viewers not to see.”

— Alain de Botton

Source: The Pleasures and Sorrows of Work (2009), pp. 83-84.

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something ab…" by Alain de Botton?

Alain de Botton 146

Swiss writer 1969

Related quotes

“I like to work alone, because it irritates me if people say something stupid — I just can’t stand it… I have a Polish guy who comes in and cleans the studio, but pretty much no one else. [talking over a cappuccino, at the Museum of Modern Art New York, during her show there in 2013]”

Isa Genzken (1948) German sculptor

after 2010, No, It Isn't Supposed to Be Easy' (2013)

“Hillary Clinton I think is a terrific woman. I am biased because I have known her for years. I live in New York. She lives in New York. I really like her and her husband both a lot. I think she really works hard. And I think, again, she's given an agenda, it is not all of her, but I think she really works hard and I think she does a good job. I like her.”

Donald J. Trump (1946) 45th President of the United States of America

2007 CNN interview, reported in Zeke J. Miller, " When Donald Trump Praised Hillary Clinton http://time.com/3962799/donald-trump-hillary-clinton/", Time Magazine (July 17, 2015).
2000s

“I became aware of Louise Bourgeois in my first or second year at Brighton Art College. One of my teachers, Stuart Morgan, curated a small retrospective of her work at the Serpentine, and both he and another teacher, Edward Allington, saw something in her, and me, and thought I should be aware of her. I thought the work was wonderful. It was her very early pieces, The Blind Leading the Blind, the wooden pieces and some of the later bronze works. Biographically, I don't really think she has influenced me, but I think there are similarities in our work. We have both used the home as a kind of kick-off point, as the space that starts the thoughts of a body of work. I eventually got to meet Louise in New York, soon after I made House. She asked to see me because she had seen a picture of House in the New York Times while she was ironing it one morning, so she said. She was wonderful and slightly kind of nutty; very interested and eccentric. She drew the whole time; it was very much a salon with me there as her audience, watching her. I remember her remarking that I was shorter than she was. I don't know if this was true but she was commenting on the physicality of making such big work and us being relatively small women. When you meet her you don't know what's true, because she makes things up. She has spun her web and drawn people in, and eaten a few people along the way.”

Louise Bourgeois (1911–2010) American and French sculptor

Rachel Whiteread, " Kisses for Spiderwoman http://www.theguardian.com/artanddesign/2007/oct/14/art2," The Guardian, 14 Oct. 2007:

Rachel Whiteread (1963) British sculptor

Rachel Whiteread, " Kisses for Spiderwoman http://www.theguardian.com/artanddesign/2007/oct/14/art2," The Guardian, 14 Oct. 2007: on Louise Bourgeois

“She often wondered indeed if she ever had been, or ever could be, intimate with anyone. She had an ideal of friendship as well as of several other sentiments, which it failed to seem to her in this case – it had not seemed to her in other cases – that the actual completely expressed.”

Henry James book The Portrait of a Lady

Source: The Portrait of a Lady (1881), Ch. XIX.

“…It was early spring. They bathed her in the Flower-Pure Pool,
Which warmed and smoothed the creamy-tinted crystal of her skin”

Bai Juyi (772–846) Chinese poet of the Tang Dynasty

春寒賜浴華清池
温泉水滑洗凝脂
"A Song of Unending Sorrow"

“I think Sabra should have won. When they [the contestants] had a week off [over the Fourth of July], Danny brought Sabra to New York and we got to know her. People said, ‘There's no way she's only been dancing four years.' But I said, ‘She's been touched by God. God gave her the ability to understand her body.”

Sabra Johnson (1987) Dutch dancer

Denise Wall, fellow-contestant Danny Tidwell's mother and dance coach
Starr Seibel, Deborah (2007-08-17). "Backstage at the So You Think You Can Dance Finale!" http://www.tvguide.com/news/dance-finale-sabra/070817-05 TVGuide.com. Retrieved 2007-08-17
About

“The career of Marian Anderson, the world-class contralto who was denied permission to sing in Constitution Hall because of her race, symbolizes the achievements of so many black American musicians. Performing instead at the Lincoln Memorial in 1939, she drew an audience of 75,000 and inspired the world not only with her rich musical gifts, but also with her determination and courage.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Black Music (June 2001)

“There was something in her attitude, in her whole appearance when she leaned her head against the high-backed chair and spread her arms, which suggested the regal woman, the one who rules, who looks on, who stands alone.”

Kate Chopin book The Awakening

The Awakening (1899)

“I met Sophie Taeuber in Zurich in 1915. Even then she already knew how to give direct and palpable shape to her inner reality. In those days this kind of art was called 'abstract art'. Now it is known as 'concrete art,' for nothing is more concrete than the psychic reality it expresses. Like music this art is tangible inner reality she was already dividing the surface of a watercolor into squares and rectangles which she juxtaposed horizontally and perpendicularly. She constructed her painting like a work of masonry. The colors are luminous, going from rawest yellow to deep red or…. blue.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Arp's quote on his wife, in 'Sophie Taeuber-Arp', Hans Arp; in Arp on Arp: Poems, Essays, Memories, ed. Marcel Jean, transl. Joachim Neugroschel; Viking Press, New York 1972, p. 222
1910-20s

Help us to complete the source, original and additional information

Alain de Botton 146

Related quotes

Related topics