Ibn Taymiyyah (1263–1328) Sunni Islamic scholar and theologian, who lived during the era of the first Mamluks (1250-1328)
Ibn Taymiyyah, A. (2004) Majmu’ al-Fatawa. Vol 14, p. 266.
As quoted in The Pillars of Economic Understanding : Factors and Markets (2000) by Mark Perlman and Charles Robert McCann
Ibn Taymiyyah (1263–1328) Sunni Islamic scholar and theologian, who lived during the era of the first Mamluks (1250-1328)
Ibn Taymiyyah, A. (2004) Majmu’ al-Fatawa. Vol 14, p. 266.
Pope Francis (1936) 266th Pope of the Catholic Church
As quoted in "Pope at Mass: Culture of encounter is the foundation of peace" at Vatican Radio (22 May 2013) http://en.radiovaticana.va/news/2013/05/22/pope_at_mass:_culture_of_encounter_is_the_foundation_of_peace/en1-694445 <br class="br">2010s, 2013 <br class="br">Context: The Lord created us in His image and likeness, and we are the image of the Lord, and He does good and all of us have this commandment at heart: do good and do not do evil. All of us. "But, Father, this is not Catholic! He cannot do good." Yes, he can. He must. Not can: must! Because he has this commandment within him. Instead, this "closing off" that imagines that those outside, everyone, cannot do good is a wall that leads to war and also to what some people throughout history have conceived of: killing in the name of God. That we can kill in the name of God. And that, simply, is blasphemy. To say that you can kill in the name of God is blasphemy.
Benjamin Graham (1894–1976) American investor
Part I, Chapter II, Government and Surplus Stocks, p. 28
Storage and Stability (1937)
John E. Hare (1949) British philosopher
Source: “Evolutionary Theory and Theological Ethics” (2012), p. 251
Norman K. Denzin (1941) American sociologist
By regarding such productions as social facts the analyst is relieved of the burden of demonstrating what meanings these productions have for the artist and his audience. It is too frequently assumed that such meanings can be identified by a capable analyst, independent of the interpretations brought to such works by the artist or his audiences. In my judgement artist productions must be seen as interactional creations; the meanings of which arise out of the interactions directed to them by the artist and his audience.
[The Sociology of Rock, 1978, Frith, Simon (ed.), ISBN 0094602204]