“I have always thought that he more limited the means, the stronger the expression. That may explain the choice of a small palette.”

— Pierre Soulages

Quoted in Cultural Hermeneutics: Essays after Unamuno and Ricoeur https://books.google.com/books?id=qBb8CwAAQBAJ&pg=PT180&lpg=PT180&dq=The+more+limited+the+means+are,+the+stronger+the+expression+will+be.+soulages&source=bl&ots=Z6zlqNBJ5Z&sig=m-Dv6ErGf9KmcjngVgOdJQXZxEk&hl=en&sa=X&ved=2ahUKEwicmcvE9cLcAhVoZN8KHbVlDwEQ6AEwAnoECAAQAQ#v=onepage&q=The%20more%20limited%20the%20means%20are%2C%20the%20stronger%20the%20expression%20will%20be.%20soulages&f=false

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I have always thought that he more limited the means, the stronger the expression. That may explain the choice of a sma…" by Pierre Soulages?

Pierre Soulages 1

French painter and engraver 1919

Related quotes

“At every moment, we always have a choice, even if it feels as if we don't. Sometimes that choice may simply be to think a more positive thought.”

Tina Turner (1939) singer, dancer, actress, and author

Happiness Becomes You: A Guide to Changing Your Life for Good (2020), p. 126

“I say: liberate yourself as far as you can, and you have done your part; for it is not given to every one to break through all limits, or, more expressively, not to everyone is that a limit which is a limit for the rest. Consequently, do not tire yourself with toiling at the limits of others; enough if you tear down yours. […] He who overturns one of his limits may have shown others the way and the means; the overturning of their limits remains their affair.”

Max Stirner book The Ego and Its Own

New York 1907, p. 187
The Ego and Its Own (1844)

“The aim of the book is to set a limit to thought, or rather — not to thought, but to the expression of thoughts: for in order to be able to set a limit to thought, we should have to find both sides of the limit thinkable (i. e. we should have to be able to think what cannot be thought).
It will therefore only be in language that the limit can be set, and what lies on the other side of the limit will simply be nonsense.”

Ludwig Wittgenstein (1889–1951) Austrian-British philosopher

Preface
1920s, Tractatus Logico-Philosophicus (1922)

“What I am after, above all, is expression. Sometimes it has been conceded that I have a certain technical ability but that, my ambition being limited, I am unable to proceed beyond a purely visual satisfaction such as can be procured from the mere sight of a picture. But the purpose of a painter must not be conceived as separate from his pictorial means, and these pictorial means must be the more complete (I do not mean complicated) the deeper is his thought. I am unable to distinguish between the feeling I have for life and my way of expressing it.”

Henri Matisse (1869–1954) French artist

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), pp. 409-410

“There is no merit in an empire as such. Extension in space does not necessarily mean spiritual advancement. The small community is easier to govern, and, it may well be, more pleasant to live in. If its opportunities are limited its perils are also circumscribed.”

John Buchan (1875–1940) British politician

Augustus (1937)
Context: There is no merit in an empire as such. Extension in space does not necessarily mean spiritual advancement. The small community is easier to govern, and, it may well be, more pleasant to live in. If its opportunities are limited its perils are also circumscribed. But the alternatives which confronted him were empire or anarchy.

John Tyler (1790–1862) American politician, 10th President of the United States (in office from 1841 to 1845)

Message to the House (18 December 1816).

“A child learning his [her] mother tongue is learning how to name; he [she] is building up a meaning potential in respect of a limited number of social functions. These functions [instrumental, regulatory, interactional, personal, heuristic, and imaginative] constitute the semiotic environment of a very small child, and may be thought of as universals of human culture”

Michael Halliday (1925–2018) Australian linguist

Michael Halliday (1978, p. 121) as cited in: Harry Daniels, Michael Cole, James V. Wertsch (2007) The Cambridge Companion to Vygotsky. p. 148.
1970s and later

“Whatever the apparent aim of the artist, he is called upon first to move the spectator, after having been himself struck by a design or color composition which may or may not have a relation to natural objects. His predilections, his preferences, crystallize afterwards in the choice of means to interpret those natural objects; these means are always, obligingly, of imaginary essence.”

Ossip Zadkine (1890–1967) French sculptor

Quote of Zadkine from New York, early 1944; as cited in: Artists on Art – from the 14th – 20th centuries, ed. Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 429
1940 - 1960

“Events may be horrible or inescapable. Men have always a choice - if not whether, then how, they may endure.”

Lois McMaster Bujold The Curse of Chalion

Source: The Curse of Chalion

“I think what Kafka does is give a purely mechanical explanation of that complex machine in the story, as sort of a substitute for explaining the situation we're in. What I mean is … " I have to give it some more thought. "What I mean is, that's his own device for explaining the kind of lives we lead. Not by talking about our situation, but by talking about the details of the machine.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter Seven, Kafka Tamura

“I have always thought that he more limited the means, the stronger the expression. That may explain the choice of a small palette.”

Help us to complete the source, original and additional information

Pierre Soulages 1

Related quotes

Related topics