Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French
Napoleon : In His Own Words (1916)
Interview with Bill Buckley
Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French
Napoleon : In His Own Words (1916)
Eugène Delacroix (1798–1863) French painter
21 September 1854 (p. 256)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)
Kirby Page (1890–1957) American clergyman
Source: Something More, A Consideration of the Vast, Undeveloped Resources of Life (1920), p. 33
Context: The most significant change in a man is not the change in his bodily strength or mental capacity. The most marvelous and far-reaching change which man ever undergoes is in his moral character and spiritual nature.
Louisa May Alcott (1832–1888) American novelist
As quoted in Elbert Hubbard's Scrap Book (1923) by Elbert Hubbard, p. 62
Moby (1965) Activist, American musician, DJ and photographer
"?", journal entry (20 January 2003) at moby.com http://www.moby.com/journal/2003-01-20/.html
H.P. Lovecraft (1890–1937) American author
Letter to James F. Morton (10 February 1923), published in Selected Letters Vol. I (1965), p. 208
Non-Fiction, Letters, to James Ferdinand Morton, Jr.
Confucius (-551–-479 BC) Chinese teacher, editor, politician, and philosopher
Source: The Doctrine of the Mean
Robinson Jeffers (1887–1962) American poet
Letter to Sister Mary James Power (1 October 1934); published in The Wild God of the World : An Anthology of Robinson Jeffers (2003), edited by Albert Gelpi, p. 189 - 190
Context: I think that one may contribute (ever so slightly) to the beauty of things by making one's own life and environment beautiful, as far as one's power reaches. This includes moral beauty, one of the qualities of humanity, though it seems not to appear elsewhere in the universe. But I would have each person realize that his contribution is not important, its success not really a matter for exultation nor its failure for mourning; the beauty of things is sufficient without him.
(An office of tragic poetry is to show that there is beauty in pain and failure as much as in success and happiness.)