“A book unwritten is a delightful universe of infinite possibilities. Set down one word, however, and immediately it becomes earthbound. Set down one sentence and its halfway to being just like every other bloody book that's ever been written. But the best must never be allowed to drive out the good. In the absence of genius there is always craftsmanship. One can at least try to write something that will arrest the readers' attention, that will encourage them, after reading the first paragraph, to take a look at the second, and then the third.”

Source: The Ghost (2007), Ch. 9.

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "A book unwritten is a delightful universe of infinite possibilities. Set down one word, however, and immediately it bec…" by Robert Harris?

Robert Harris9

novelist 1957

Related quotes

“Great nations write their autobiographies in three manuscripts—the book of their deeds, the book of their words, and the book of their art. Not one of these books can be understood unless we read the two others; but of the three, the only quite trustworthy one is the last. The acts of a nation may be triumphant by its good fortune; and its words mighty by the genius of a few of its children: but its art, only by the general gifts and common sympathies of the race.”

John Ruskin (1819–1900) English writer and art critic

St. Mark's rest; the history of Venice (1877).

“Beginning a book is unpleasant. I’m entirely uncertain about the character and the predicament, and a character in his predicament is what I have to begin with. Worse than not knowing your subject is not knowing how to treat it, because that’s finally everything. I type out beginnings and they’re awful, more of an unconscious parody of my previous book than the breakaway from it that I want. I need something driving down the center of a book, a magnet to draw everything to it—that’s what I look for during the first months of writing something new. I often have to write a hundred pages or more before there’s a paragraph that’s alive. Okay, I say to myself, that’s your beginning, start there; that’s the first paragraph of the book. I’ll go over the first six months of work and underline in red a paragraph, a sentence, sometimes no more than a phrase, that has some life in it, and then I’ll type all these out on one page. Usually it doesn’t come to more than one page, but if I’m lucky, that’s the start of page one. I look for the liveliness to set the tone. After the awful beginning come the months of freewheeling play, and after the play come the crises, turning against your material and hating the book.”

Philip Roth (1933–2018) American novelist

Paris Review Interview (1986)

“Yet with every allowance, one feels it difficult to see how any mortal ever could consider this Koran as a Book written in Heaven, too good for the Earth; as a well-written book, or indeed as a book at all; and not a bewildered rhapsody; written, so far as writing goes, as badly as almost any book ever was!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Prophet

“A scholar is like a book written in a dead language — it is not every one that can read in it.”

William Hazlitt (1778–1830) English writer

"Common Places," No. 13, The Literary Examiner (September - December 1823)

“Writing a book is so strange. You start off in one spot and end up in another. But I think when I first set out to write the book, there was a certain element of trying to right historical wrongs I saw as a voracious reader and representation of immigrants and children of immigrants…”

Uzma Jalaluddin (1980)

On what led her to write Ayesha At Last in “Interviews with authors at EMWF: Uzma Jalaluddin” https://theontarion.com/2018/09/13/interviews-with-authors-at-emwf-uzma-jalaluddin/ in The Ontarion (2018 Sep 13)