“In the January, 1933 issue of "SCIENCE FICTION" appeared a story I had written in 1932 entitled, "The Reign of the Superman." I used the pseudonym "Herbert S. Fine" which combined the name of a cousin of mine together with my mother's maiden name.
After the publication of "Reign of the Superman", it occurred to me that a different version of Superman could be the basis of an extremely powerful and successful comic book. And so I originated, together with Joe Shuster, the comic book "THE SUPERMAN", back in 1933.”

— Jerry Siegel , Superman

"Happy Anniversary, Superman!" http://theages.superman.ws/siegel.php (1983)

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Jerry Siegel 7

American co-creator of Superman 1914–1996

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“As a science fiction fan, I have long been very familiar with the various themes in the field. The superman theme has been one of them ever since Samson and Hercules. I just sat down and wrote a story of that type — only in this first story, the Superman was a villain.
A couple of months after I published this story, it occurred to me that a Superman as a hero rather than as a villain might make a great comic strip character in the vein of Tarzan, only more super and sensational than that great character. Joe and I drew it up as a comic book.”

Jerry Siegel (1914–1996) American co-creator of Superman

In the beginning (1983)

“I was one of the first guys writing comic books, I wrote Captain America, with guys like Stan Lee, who became famous later on with Marvel Comics. Stan could write on three typewriters at once! I wrote the Human Torch, Submariner. I worked my way down. I started off at the high level, in the slick magazines, but they didn't use my name, they used house names. Anyway, then I went downhill to the pulps, then downhill further to the comics. I went downhill class-wise, but I went uphill, money-wise! I was making more money in the comics. I wrote the original Mike Hammer as a comic, Mike Danger.”

Mickey Spillane (1918–2006) American writer

Crime Time interview (2001)

“I had the same questions for Superman as I did for God: If he was so powerful, why didn’t he deal with some real problems?”

Charles de Lint (1951) author

“Bird Bones and Wood Ash”, p. 169
The Ivory and the Horn (1996)
Context: I had the same questions for Superman as I did for God: If he was so powerful, why didn’t he deal with some real problems? Why didn’t he stop wars, feed the starving in Ethiopia, cure cancer? At least God had the Church to do His PR work for Him — if you can buy their reasoning, they have any number of explanations ranging from how the troubles of this life build character to that inarguable catchall, “God’s will.” And the crap in this life sure makes heaven look good.
When I was growing up, the writers and artists of Superman never even tried to deal with the problem. And since they didn’t, I could only see Superman as a monster, not a hero. I couldn’t believe his battles with criminals, superpowered geniuses and the like.
I never believed in God either.

“I hate the whole übermensch, superman temptation that pervades science fiction. I believe no protagonist should be so competent, so awe-inspiring, that a committee of 20 really hard-working, intelligent people couldn't do the same thing.”

David Brin (1950) novelist, short story writer

Interview http://www.locusmag.com/1997/Issues/03/Brin.html in Locus (March 1997)

“[I]n 1938, Superman appeared. He had been mailed to the offices of National Periodical Publications from Cleveland, by a couple of Jewish boys who had imbued him with the powers of a hundred men, of a distant world, and of the full measure of their bespectacled adolescent hopefulness and desperation.”

Michael Chabon book The Amazing Adventures of Kavalier & Clay

Part II, ch. 1
The Amazing Adventures of Kavalier & Clay (2000)

“Weisinger, a couple of years ago, made up the following story: "Isaac Asimov was asked how Superman could fly faster than the speed of light, which was supposed to be an absolute limit. To this Asimov replied, 'That the speed of light is a limit is a theory; that Superman can travel faster than light is a fact.'"
I assure you it never happened and I never said it, but it will be repeated, I am quite certain, indefinitely, and it will probably be found in Bartlett's quotations a century from now, attributed to me, after all my writings have been forgotten.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

"Science Fiction, 1938" Nebula Winners 14 (1980) edited by Frederick J. Pohl, p. 97
General sources

“I do believe that man is a rope between animal and superman. But the superman I'm thinking of isn't Nietzsche's. The real superhuman, man or woman, is the person who's rid himself of all prejudices, neuroses, and psychoses, who realizes his full potential as a human being, who acts naturally on the basis of gentleness, compassion, and love, who thinks for himself and refuses to follow the herd. That's the genuine dyed-in-the-wool superman.”

Philip José Farmer (1918–2009) American science fiction writer

Source: The Riverworld series, The Dark Design (1977), Ch. 31

“Superman is nothing more than a popular retelling of the Christ story, or Greek mythology.”

Christopher Reeve (1952–2004) actor, director, producer, screenwriter

Caught in the Act : New York Actors Face to Face (1986) by Don Shewey and Susan Shacter, p. 18
Context: Superman is nothing more than a popular retelling of the Christ story, or Greek mythology. It's an archetype, watered down and made in vivid colors for twelve-year-old's mentality. It's pop mythology, which extends to the actor, then seeps over to a demand that that actor reflect the needs of the worshipers. The worship doesn't only go on in the temples — it goes on in the streets, and restaurants, in magazines. But, you know, I'm from New Jersey, I'm not from Olympus or Krypton, so back off 'cause I can't take the responsibility.

“What makes Superman a hero is not that he has power, but that he has the wisdom and the maturity to use the power wisely.”

Christopher Reeve (1952–2004) actor, director, producer, screenwriter

As quoted in Celebrities in Hell (2002) by Warren Allen Smith, p. 98

“Originally I was content to just simply accept the money, that was offered when people had adapted my comic books into films. Eventually I decided to refuse to accept any of the money for the films, and to ask if my name could be taken off of them, so that I no longer had to endure the embarrasment of seeing my work travested in this manner. The first film that they made of my work was "From Hell" Which was an adaptation of my "Jack the Ripper" narrative … In which they replaced my gruff Dorset police constable with Johnny Depp's Absinthe-swigging dandy. The next film to be made from one of my books was the regrettable "League of Extraordinary Gentlemen"… Where the only resemblence it had to my book was a similar title. The most recent film that they have made of mine is apparently this new "V for Vendetta" movie which was probably the final straw between me and Hollywood. They were written to be impossible to reproduce in terms of cinema, and so why not leave them simply as a comic in the way that they were intended to be. And if you are going to make them into films, please try to make them into better ones, than the ones I have been cursed with thus far.”

Alan Moore (1953) English writer primarily known for his work in comic books

From the BBC2 show The Culture Show (9 March 2006) (separate quotes shown; edited together for the segment of the show)

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