Source: Mathematical Thought from Ancient to Modern Times (1972), p. 183
“The whole Renaissance tradition is antipathic to me. The hard-and-fast rules of perspective which it succeeded in imposing on art were a ghastly mistake which it has taken four centuries to redress; Cézanne and after him Picasso and myself can take a lot of credit for this.... scientific perspective forces the objects in a picture to disappear away from the beholder instead of bringing them within his reach as painting should.”
1946 - 1963, interview with John Richardson' (1957)
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Georges Braque 43
French painter and sculptor 1882–1963Related quotes
Donald Reisler http://space.mit.edu/home/tegmark/everett/everett.html
“Interactive Art,” unpublished manuscript, 1994, p. 3; as cited in: Edward A. Shanken. " Cybernetics and Art: Cultural Convergence in the 1960s http://www.responsivelandscapes.com/readings/CyberneticsArtCultConv.pdf." 2002

Source: Tania Raymonde: The Jodi Arias Trial ‘Unfolding In Real Time’ While FilmingLifetime Movie Was A ‘Trip’ https://hollywoodlife.com/2020/08/08/jodi-arias-lifetime-movie-tania-raymonde-interview/ (August 8, 2020)

Source: The Moral Judgment of the Child (1932), Ch. 2 : Adult Constraint and Moral Realism <!-- p. 185 -->
Context: To perceive is to construct intellectually, and if the child draws things as he conceives them, it is certainly because he cannot perceive them without conceiving them. But to give up gradually the spurious absolutes situated away and apart from the context of relations that has been built up during experience itself is the work of a superior kind of rationality. When the child comes to draw things as he sees them, it will be precisely because he has given up taking isolated objects in and for themselves and has begun to construct real systems of relations which take account of the true perspective in which things are connected.

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, pp. 9-10 : 'Notes from 1969'

Are You an Illusion (2014). 29.
Context: A particularly strong assumption here has been scientists’ deep reliance on atomization; on finding the meaning of things by breaking them down to their smallest components. Atomizations illustrates the simplest, most literal meaning of the word “reduction”; it works by making things smaller. The illumination that follows does not, of course, flow simply from their being smaller but from the wider scientific picture into which they can now be fitted. That picture gives them a new kind of context, a wider whole within which they can be differently understood. And finding that kind of context is an essential part of what “understanding” means.

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

Su Tseng-chang (2013) cited in " Taiwan should know more about China: Su http://www.chinapost.com.tw/taiwan/china-taiwan-relations/2013/05/23/379305/Taiwan-should.htm" on The China Post, 23 May 2013.