“None of us are ever equipped, for general purposes, to perceive reality in all of its forms. The pyramid gestalts can do this, and we help the pyramid gestalts perform this feat. But as a rule we must pick and choose. There is too much for any consciousness to digest except those so highly developed that even I know little of them.”

Session 297, Page 138
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 7

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Jane Roberts288

American Writer 1929–1984

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“This is not the Cayce material, with information seemingly coming from some vast storehouse of knowledge. In those terms no such storehouse exists. Knowledge does not exist independently of the one who knows. Someone gave Cayce the material. It did not come out of thin air. It came from an excellent source, a pyramid gestalt personality, with definite characteristics, but the alien nature of the personality was too startling to Cayce, and he could not perceive it.”

Jane Roberts (1929–1984) American Writer

Session 417, Page 317
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 8

“By a Gestalt quality we understand a positive content of presentation bound up in consciousness with the presence of complexes of mutually separable (i. e., independently presentable) elements. That complex of presentations which is necessary for the existence of a given Gestalt quality we call the foundation [Grundlage] of that quality.”

Christian von Ehrenfels (1859–1932) Austrian philosopher

Source: "On Gestalt Qualities," 1890, p. 93

“Simply stated, this is one of the thumbnail passages that explain Seth's concept of God: "He is not human in your terms, though he passed through human stages; and here the Buddhist myth comes closest to approximating reality. He is not one individual, but an energy gestalt. If you remember what I said about the way in which the universe expands, that it has nothing to do with space, then you may perhaps dimly perceive the existence of a psychic pyramid of interrelated, ever-expanding consciousness that creates, simultaneously and instantaneously, universes and individuals that are given -- through the gifts of personal perspective -- duration, psychic comprehension, intelligence, and eternal validity.”

Jane Roberts (1929–1984) American Writer

Source: The Seth Material (1970), p. 261

“I realize I don’t know very much. None of us knows very much. But we can all learn more. Then we can teach one another. We can stop denying reality or hoping it will go away by magic.”

Octavia E. Butler book Parable of the Sower

Source: Parable of the Sower (1993), Chapter 5 (p. 58)

“Is it not conceivable, that each tone is the fusion of a sum of still more primitive elements with the Gestalt qualities bound up therewith?… No conclusive argument can be brought forward even against the possibility that we may not, penetrating ever more deeply in this manner, finally arrive at a single proto-quality, or at least at a single quality-continuum, from out of which distinct contents (colours, tones, Y) are generated by the fusion of distinct combinations with the Gestalt qualities bound up therewith, [so that] one can no longer shrink from the idea that tones and colours might be exhibited as the products of a much higher degree of complication of proto-elements as yet unknown.”

Christian von Ehrenfels (1859–1932) Austrian philosopher

Source: "On Gestalt Qualities," 1890, p. 16

“Some dog I got too. We call him Egypt. Because in every room he leaves a pyramid. ”

Rodney Dangerfield (1921–2004) American actor and comedian

“All the performances of human art, at which we look with praise or wonder, are instances of the resistless force of perseverance: it is by this that the quarry becomes a pyramid, and that distant countries are united with canals.”

Samuel Johnson The Rambler

No. 43 (14 August 1750) http://etext.lib.virginia.edu/etcbin/toccer-new2?id=Joh1Ram.sgm&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=43&division=div1 <br class="br">The Rambler (1750–1752) <br class="br">Context: All the performances of human art, at which we look with praise or wonder, are instances of the resistless force of perseverance: it is by this that the quarry becomes a pyramid, and that distant countries are united with canals. If a man was to compare the effect of a single stroke of the pick-axe, or of one impression of the spade, with the general design and last result, he would be overwhelmed by the sense of their disproportion; yet those petty operations, incessantly continued, in time surmount the greatest difficulties, and mountains are levelled, and oceans bounded, by the slender force of human beings.<br>It is therefore of the utmost importance that those, who have any intention of deviating from the beaten roads of life, and acquiring a reputation superior to names hourly swept away by time among the refuse of fame, should add to their reason, and their spirit, the power of persisting in their purposes; acquire the art of sapping what they cannot batter, and the habit of vanquishing obstinate resistance by obstinate attacks.

“… the impulse of iconoclasmː refusing unconditional reality and value to the contingent and flawed worlds we build and affirming that there will always be more in us, individually and collectively, than there can ever be in them. The most complete expression of this iconoclastic commitment is the development of forms of life and consciousness that provide us with the means and occasions to resist and reform them. In this way, they save us from having to choose between engaging wholeheartedly in them and keeping the last word, of resistance and transcendence, to ourselves.”

Roberto Mangabeira Unger book The Self Awakened: Pragmatism Unbound

Source: The Self Awakened: Pragmatism Unbound (2007), p. 70

“All objects transmit their image to the eye in pyramids, and the nearer to the eye these pyramids are intersected the smaller will the image appear of the objects which cause them.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), II Linear Perspective

“That day I learnt that in the big fat world of Bollywood, the problem isn’t whether the pyramid should be inverted or not. The problem is there isn’t any pyramid.”

Vivek Agnihotri (1973) director

Urban Naxals (2018)

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Jane Roberts288

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