“Oh, communism! That was a burning issue. It was an outrageous issue. To be termed a communist would damage your whole family, damage your whole world — your friends wouldn’t talk to you. I’m talking about other people — because I wouldn’t go near the stuff. Sure, I was against the reds. I became a witch hunter. My enemies were the commies — I called them commies. In fact, Granny Goodness was a commie, Doubleheader was a commie.”

— Jack Kirby

TCJ Archive, "Jack Kirby Interview" http://www.tcj.com/jack-kirby-interview/5/, The Comics Journal, (February 1990, posted May 23, 2011).

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Oh, communism! That was a burning issue. It was an outrageous issue. To be termed a communist would damage your whole f…" by Jack Kirby?

Jack Kirby22

American comic book artist, writer and editor 1917–1994

Related quotes

“Ginger: [hauling Clarice up stairs in a wheelchair]: This ivory tower needs some ramps!
Clarice: What are you saying, Ginger?! Build ramps and anyone could get up!! The whole school would be overrun by black commie dykes in wheelchairs! Really, now!”

Alison Bechdel book Dykes to Watch Out For

#31, "Groves of Academe" (1988), collected in New, Improved! DTWOF (1990).
Dykes to Watch Out For

“If I had done a Disney movie nobody would care. They would not care. You may say oh, I grew up and I loved that movie, that was really super, but you wouldn’t care. People really will stop and talk to me about deeper issues, which I am excited to participate in.”

Linda Blair (1959) actress, producer, animal rights activist

Linda Blair on the Exorcist’s Continued Impact http://nerdist.com/linda-blair-on-the-exorcists-continued-impact/ (July 30, 2014)

“When I was asked to talk about the Obscurity of the Modern Poet I was delighted, for I have suffered from this obscurity all my life. But then I realized that I was being asked to talk not about the fact that people don’t read poetry, but about the fact that most of them wouldn’t understand it if they did: about the difficulty, not the neglect, of contemporary poetry.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Obscurity of the Poet”, p. 3
Poetry and the Age (1953)
Context: When I was asked to talk about the Obscurity of the Modern Poet I was delighted, for I have suffered from this obscurity all my life. But then I realized that I was being asked to talk not about the fact that people don’t read poetry, but about the fact that most of them wouldn’t understand it if they did: about the difficulty, not the neglect, of contemporary poetry. And yet it is not just modern poetry, but poetry, that is today obscure. Paradise Lost is what it was; but the ordinary reader no longer makes the mistake of trying to read it — instead he glances at it, weighs it in his hand, shudders, and suddenly, his eyes shining, puts it on his list of the ten dullest books he has ever read, along with Moby-Dick, War and Peace, Faust, and Boswell’s Life of Johnson. But I am doing this ordinary reader an injustice: it was not the Public, nodding over its lunch-pail, but the educated reader, the reader the universities have trained, who a few weeks ago, to the Public’s sympathetic delight, put together this list of the world’s dullest books.
Since most people know about the modern poet only that he is obscure—i. e., that he is difficult, i. e., that he is neglected — they naturally make a causal connection between the two meanings of the word, and decide that he is unread because he is difficult. Some of the time this is true: the poet seems difficult because he is not read, because the reader is not accustomed to reading his or any other poetry.