“I had translated the first twelve books of the Odyssey. For a while I learnt English also, merely so as to gain an accurate knowledge of Shakespeare; and I made a metrical translation of Romeo's monologue. Though I soon left English on one side, yet Shakespeare remained my exemplar, and I projected a great tragedy which was almost nothing but a medley of Hamlet and King Lear. The plan was gigantic in the extreme; two- and-forty human beings died in the course of this piece, and I saw myself compelled, in its working-out, to call the greater number back as ghosts, since otherwise I should have been short of characters for my last Acts. This play occupied my leisure for two whole years.”

Autobiographical Sketch (1843)

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Richard Wagner39

German composer, conductor 1813–1883

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“King Lear is undoubtedly the greatest play ever written by Shakespeare — or anybody else for that matter. Hamlet is certainly great, but it doesn't contain as many elements of humanity as we see in Lear.”

Paul Scofield (1922–2008) English actor

Quoted in Royah Nikkhah, "Scofield's Lear voted the greatest Shakespeare performance" http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2004/08/22/nbard22.xml, Telegraph.co.uk (2004-08-22)

“Surely there is no language more majestic than that of Shakespeare, Milton, and the King James Bible, and if I am to have one language that I know as only a native can know it, I consider myself unbelievably fortunate that it is English.”

Isaac Asimov book Before the Golden Age

Before the Golden Age (1974), Vol. 1, p. 5 of the 1975 Orbit edition
General sources

“the same year in which I began Latin, I made my first commencement in the Greek poet with the Iliad. After I had made some progress in this, my father put Pope's translation into my hands. It was the first English verse I had cared to read, and it became one of the books in which for many years I most delighted: I think I must have read it from twenty to thirty times through. I should not have thought it worth while to mention a taste apparently so natural to boyhood, if I had not, as I think, observed that the keen enjoyment of this brilliant specimen of narrative and versification is not so universal with boys, as I should have expected both a priori and from my individual experience.”

John Stuart Mill book Autobiography

Source: Autobiography (1873)

https://archive.org/details/autobiography01mill/page/10/mode/1up p. 10

“I need a map of your head, translated into English, so I can learn to not make you frown.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, Make Yourself (1999)

“When I started to make translations I was just doing it intuitively, and my tendency was to stick to the original as much as possible. Then I gained more confidence in my own poetry and my own writing and I began to become less concerned about being strictly faithful to the original and more concerned with producing a good poem in English. What I have often found—especially in the translations that are done by scholars—is that they’re very faithful to the content of the original language, but in English they don’t really sound that good as poems.”

Francisco Aragón (1968) poet

On translating Spanish poetry into English in “Interview with Francisco Aragón: Latino Poetry From All Its Perspectives” https://www.sampsoniaway.org/literary-voices/2010/09/16/interview-with-francisco-aragon-latino-poetry-from-all-its-perspectives/ in Sampsonia Way (2010 Sept 16)

“Scholars are still in search of the exact meaning of certain speeches in each of Shakespeare’s great tragedies — and we should like to assume that those who saw these plays for the first time did not have perfect understanding of all of the lines — but so great was Shakespeare’s power to conceive of action from which thought and feeling can be readily inferred that all of us know Lear, Hamlet, and Macbeth more intimately than we know many men whose remarks we understand perfectly.”

Norman Maclean (1902–1990) American author and scholar

"Episode, Scene, Speech, and Word : The Madness of Lear", in Critics and Criticism : Ancient and Modern (1952), edited by R.S. Crane

“My books must be an absolute nightmare to translate. I wouldn't do it. I had a couple of them in Japanese some years ago and my wife met a Japanese woman who said that she had read the books. And she asked her what the translations were like. This woman said they were the worst translation she had ever read in her life. She said she didn't recognise the books when she finally read them in English.”

John Banville (1945) Irish writer

John Banville: Using words to paint pictures of "magical" Prague (2006)

“I think William Shakespeare was the wisest human being I ever heard of. To be perfectly frank, though, that's not saying much.”

Kurt Vonnegut book Hocus Pocus

Hocus Pocus (1990)
Context: I think William Shakespeare was the wisest human being I ever heard of. To be perfectly frank, though, that's not saying much. We are impossibly conceited animals, and actually dumb as heck. Ask any teacher. You don't even have to ask a teacher. Ask anybody. Dogs and cats are smarter than we are.

“Sanya, Knight of the Cross: There is, I think, humor here which does not translate well from English into sanity.”

Jim Butcher The Dresden Files

Source: The Dresden Files, Changes (2010), Chapter 33

“It is an incontestable fact that the word "Jew" did not come into existence until the year 1775. Prior to 1775 the word "Jew" did not exist in any language. The word "Jew" was introduced into the English for the first time in the 18th century when Sheridan used it in his play "The Rivals", II, i, "She shall have a skin like a mummy, and the beard of a Jew". Prior to this use of the word "Jew" in the English language by Sheridan in 1775 the word "Jew" had not become a word in the English language. Shakespeare never saw the word "Jew" as you will see. Shakespeare never used the word "Jew" in any of his works, the common general belief to the contrary notwithstanding. In his "Merchant of Venice", V. III. i.61, Shakespeare wrote as follows: "what is the reason? I am a Iewe; hath not a Iewe eyes?".”

Benjamin H. Freedman (1890–1984) American businessman

Facts are Facts (1954)

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Richard Wagner39

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