“In my actual imaginative contact with life, I am vastly more responsive to beauty than to horror—indeed, I never experience real cosmic horror except in infrequent nightmares. However, when I come to record my various imaginative experiences, I generally find that only the horror items have any uniqueness or originality. Others have seen the same beautiful things that I have seen, & have sung them more nobly. Dunsany, indeed, has said exquisitely almost everything I could possibly wish to say; so that when I indulge in sheer phantasy I can do no more than imitate him. Thus horror alone is left as my peculiar kingdom, & in it I must hold my lowly reproduction of a Plutonian court.”

— H.P. Lovecraft

Letter to Elizabeth Toldridge (8 March 1929), in Selected Letters II, 1925-1929 edited by August Derleth and Donald Wandrei, pp. 316-317
Non-Fiction, Letters

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H.P. Lovecraft 203

American author 1890–1937

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“I have seen it! I have seen it! I know it has horrors that can never be described. I was brought up under its wing. I witnessed for many years its demoralizing influence and its destructiveness to human happiness. I have never seen a happy slave.”

Angelina Grimké (1805–1879) American abolitionist and feminist

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“That is real horror and blood. When the Second World War finished I was 23 and already I had seen enough horror to last me a lifetime. I’d seen dreadful, dreadful things, without saying a word. So seeing horror depicted on film doesn't affect me much.”

Christopher Lee (1922–2015) British actor and singer

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“I have seen the future of horror and his name is Clive Barker.”

Clive Barker (1952) author, film director and visual artist

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“I realized that I don't have to be perfect. All I have to do is show up and enjoy the messy, imperfect and beautiful journey of my life. It's a trip more wonderful than I could have imagined.”

Kerry Washington (1977) American actress

“When I visit places remote from where I ordinarily work, people ask me long, elaborate questions that could not possibly have any relationship to my work. The people haven't ever seen it, and so I say: 'But my dear sir, have you ever seen my work?' The response is: 'Of course, I've seen many of your works.' - 'But where?' - 'In Artforum, Art in America..' - I say: 'Have you ever actually seen one of the objects, have you actually stood on one of them?”

Carl Andre (1935) American artist

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“In infancy I was afraid of the dark, which I peopled with all sorts of things; but my grandfather cured me of that by daring me to walk through certain dark parts of the house when I was 3 or 4 years old. After that, dark places held a certain fascination for me. But it is in dreams that I have known the real clutch of stark, hideous, maddening, paralysing fear. My infant nightmares were classics, & in them there is not an abyss of agonising cosmic horror that I have not explored. I don't have such dreams now—but the memory of them will never leave me. It is undoubtedly from them that the darkest & most gruesome side of my fictional imagination is derived. At the ages of 3, 4, 5, 6, 7, & 8 I have been whirled through formless abysses of infinite night and adumbrated horrors as black & as seethingly sinister as any of our friend Fafhrd's [a nickname Lovecraft used for Fritz Leiber] "splatter-stencil" triumphs. That's why I appreciate such triumphs so keenly, I have seen these things! Many a time I have awaked in shrieks of panic, & have fought desperately to keep from sinking back into sleep & its unutterable horrors. At the age of six my dreams became peopled with a race of lean, faceless, rubbery, winged things to which I applied the home-made name of night-gaunts. Night after night they would appear in exactly the same form—& the terror they brought was beyond any verbal description. Long decades later I embodied them in one of my Fungi from Yuggoth pseudo-sonnets, which you may have read. Well—after I was 8 all these things abated, perhaps because of the scientific habit of mind which I was acquiring (or trying to acquire). I ceased to believe in religion or any other form of the supernatural, & the new logic gradually reached my subconscious imagination. Still, occasional nightmares brought recurrent touches of the ancient fear—& as late as 1919 I had some that I could use in fiction without much change. The Statement of Randolph Carter is a literal dream transcript. Now, in the sere & yellow leaf (I shall be 47 in August), I seem to be rather deserted by stark horror. I have nightmares only 2 or 3 times a year, & of these none even approaches those of my youth in soul-shattering, phobic monstrousness. It is fully a decade & more since I have known fear in its most stupefying & hideous form. And yet, so strong is the impress of the past, I shall never cease to be fascinated by fear as a subject for aesthetic treatment. Along with the element of cosmic mystery & outsideness, it will always interest me more than anything else. It is, in a way, amusing that one of my chief interests should be an emotion whose poignant extremes I have never known in waking life!”

H.P. Lovecraft (1890–1937) American author

Letter to Harry O. Fischer (late February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 416-417
Non-Fiction, Letters

“We have now become pretty well acquainted with the sugar-growing part of Texas. The life of a planter who has a fair start in the world is one of the most independent imaginable. We here find the pleasures of fashionable life without its tyranny. I doubt, however, whether a person of Northern education could so far forget his home-bred notions and feelings as ever to be thoroughly Southern on the subject of slavery. We have seen none of “the horrors” so often described, but on the other hand I have seen nothing to change my Northern opinions.”

Rutherford B. Hayes (1822–1893) American politician, 19th President of the United States (in office from 1877 to 1881)

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“When it comes to words I have a uniqueness that I find almost impossible in art – and it's my words that actually make my art quite unique.”

Tracey Emin (1963) English artist, one of the group known as Britartists or Young British Artists

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Emin was given the Plain English Campaign's "Foot in Mouth" award for this remark, made in a newspaper interview.

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“The essence of nightmare lies less in the simple experience of horrors than in the unpreventable fruition of horrors foreknown.”

Michael Shea book Nifft the Lean

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Nifft the Lean (1982)

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H.P. Lovecraft 203

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