“As an artistic style, mannerism conformed to a divided outlook on life which was, nevertheless, spread uniformly all over Western Europe; the baroque is the expression of an intrinsically more homogeneous worldview, but one which assumes a variety of shapes in the different European countries. Mannerism, like Gothic, was a universal European phenomenon, even if it was restricted to much narrower circles than the Christian art of the Middle Ages; the baroque, on the other hand, embraces so many ramifications of artistic endeavour, appears in so many different forms in the individual countries and spheres of cultures, that it seems doubtful at first sight whether it is possible to reduce them all to a common denominator.”

'Chapter 8. The Concept of Baroque
The Social History of Art', Volume II. Renaissance, Mannerism, Baroque, 1999

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Arnold Hauser34

Hungarian art historian 1892–1978

A.J.P. Taylor (1906–1990) Historian

"The Great War: The Triumph of E. D. Morel", p. 157
The Trouble Makers: Dissent over Foreign Policy, 1792-1939 (1957)

“In the upper, rich, more educated classes of European society doubt arose as to the truth of that understanding of life which was expressed by Church Christianity.”

Leo Tolstoy (1828–1910) Russian writer

What is Art? (1897)
Context: In the upper, rich, more educated classes of European society doubt arose as to the truth of that understanding of life which was expressed by Church Christianity. When, after the Crusades and the maximum development of papal power and its abuses, people of the rich classes became acquainted with the wisdom of the classics and saw, on the one hand, the reasonable lucidity of the teachings of the ancient sages, and on the other hand, the incompatibility of the Church doctrine with the teaching of Christ, they found it impossible to continue to believe the Church teaching.

“America is a much newer experiment in human living, one with moral concerns at its core. In this respect it differs from Europe, which has preferred sophistication and worldly wisdom to "righteousness," and resembles China, which saw the universe itself as essentially a moral order. However materialistic Americans may be in their economic pursuits, their ceremonies emphasize the material far less than European societies have. America has imposing official architecture. Washington, D. C., boasts a radial baroque stateliness. Yet one of its most important buildings, the White House, is a modest dwelling, its scale far smaller than that of the palaces of Europe and Asia.”

Yi-Fu Tuan (1930) Chinese-American geographer

Shadows and Light, epilogue, Passing Strange and Wonderful: Aesthetics, Nature, and Culture (1993).

“All men want to be different, and to be greater than they are; they seek for an air other than their own, and a mind different from what they possess; they take their style and manner at chance. They make experiments upon themselves without considering that what suits one person will not suit everyone, that there is no universal rule for taste or manners, and that there are no good copies.”

François de La Rochefoucauld (1613–1680) French author of maxims and memoirs

Reflections on Various Subjects (1665–1678), VII. On Air and Manner

“How many other opinions, as universally prevailing and as much respected, will in like manner pass away?”

Jean-Baptiste Say (1767–1832) French economist and businessman

Source: A Treatise On Political Economy (Fourth Edition) (1832), Introduction, p. xlix

“In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. American — on the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.”

Wallace Stevens (1879–1955) American poet

Journal entry (9 April 1906); as published in Letters of Wallace Stevens (1966) edited by Holly Stevens

“Much of what we loosely call the Western world will not survive this century, and much of it will effectively disappear within our lifetimes, including many if not all European countries.”

Mark Steyn (1959) Canadian writer

It's the Demography, Stupid (2006)

“Elementarism has been born partly in reaction to an over-dogmatic and often narrow-minded application of NeoPlasticism [a critic on his former artist-companion Piet Mondrian, partly as its consequence but ultimately from what is primarily a radical correction of Neo-plastic ideas. Elementarism rejects the demands of pure statics which led to sterility and to the laming of creative potentialities. Instead of denying Time and Space, Elementarism acknowledge these elements to be the most elementary means for creating a new plastic expression... In contrast to the Neo-plastic [= De Stijl] manner of expression, which is restricted to two dimensions [the plane], Elementarism acknowledges a form of plastic expression in four dimensions, the realm of space-time. In opposition to the orthogonal style of plastic expression, which is 'homogeneous' with natural construction, Elementarism postulates a 'heterogeneous' contrasting, unstable manner of plastic expression based upon planes oblique in relation to the static, perpendicular axis of gravitation”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote of van Doesburg, in van 'Painting and plastic art': Elementarism – fragment of a manifesto' Paris, December 1926 – April 1927; in De Stijl, Theo van Doesburg – series XIII, 78, 1926–27, pp. 82–87
1926 – 1931

“A century after the death of Patrick… there were few Romans left in western Europe. [By the mid sixth century] the whole subtle substructure of Roman political organization and Roman communication has vanished. In its place have grown the sturdy little principalities of the Middle Ages, Gothic illiterates ruling over Gothic illiterates, pagan or occasionally Arian—that is, following a debased, simpleminded form of Christianity in which Jesus was given a status similar to that of Mohammed in Islam.”

Thomas Cahill book How the Irish Saved Civilization

Source: How the Irish Saved Civilization (1995), Ch. VI What Was Found

“Rarely has the incapacity of governments to hold up the course of history been more conclusively demonstrated than in the generation after 1815. To prevent a second French Revolution, or the even worse catastrophe of a general European revolution on the French model, was the supreme object of all the powers which had just spent more than twenty years in defeating the first; even of the British, who were not in sympathy with the reactionary absolutism which re-established themselves all over Europe and knew quite well that reforms neither could nor ought to be avoided, but who feared a new Franco-Jacobin expansion more than any other international contingency. And yet, never in European history and rarely anywhere else has revolutionarism been so endemic, so general, so likely to spread by spontaneous contagion as well as by deliberate propaganda.”

Eric Hobsbawm (1917–2012) British academic historian and Marxist historiographer

Source: The Age of Revolution (1962), Chapter 6, Revolutions

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