“How good and thoughtful he is; the world seems full of good men--even if there are monsters in it.”
Bram Stoker book Dracula
Variant: The world seems full of good men, even if there are monsters in it.
Source: Dracula
House of Incest (1936)
“How good and thoughtful he is; the world seems full of good men--even if there are monsters in it.”
Bram Stoker book Dracula
Variant: The world seems full of good men, even if there are monsters in it.
Source: Dracula
“There's no room for demons when you're self-possessed.”
Carrie Fisher (1956–2016) American actress, screenwriter and novelist
Dale Carnegie (1888–1955) American writer and lecturer
Source: How to Win Friends & Influence People
“by making himself a priest made himself a demon.”
Victor Hugo book The Hunchback of Notre Dame
Source: The Hunchback of Notre-Dame
Eugéne Ionesco (1909–1994) Romanian playwright
canular refers to hoaxes, humorous deceptions.
The Paris Review interview (1984)
Context: You know, the Cathars believed that the world was not created by God but by a demon who had stolen a few technological secrets from Him and made this world — which is why it doesn’t work. I don’t share this heresy. I’m too afraid! But I put it in a play called This Extraordinary Brothel, in which the protagonist doesn’t talk at all. There is a revolution, everybody kills everybody else, and he doesn’t understand. But at the very end, he speaks for the first time. He points his finger towards the sky and shakes it at God, saying, “You rogue! You little rogue!” and he bursts out laughing. He understands that the world is an enormous farce, a canular played by God against man, and that he has to play God’s game and laugh about it.
Paul Krugman (1953) American economist
Source: The Self-Organizing Economy (1996), Chapter 9. Concluding Thoughts
“This was full when I left. Demon, did you eat some of my toothpaste?”
Kresley Cole American writer
Source: Demon from the Dark
“So I want to have monsters as a metaphor but I also want monsters because monsters are cool.”
China Miéville (1972) English writer
interview with 3am
Context: The thing about good pulp is that you trust the reader and you know that the mind is a machine to process metaphors so of course all those connections will be there. But you've also granted the fantastic its own dynamic and allowed that awe. There's no contradiction. So I want to have monsters as a metaphor but I also want monsters because monsters are cool. There's no contradiction.