“.. but I must have it back [a sketch of mother with child at the breast] very soon, because I become attached to it... Such a sketch is a part of my life; it always stays. I use it ten or twenty times... It is a foundation on which I build.”

— Jozef Israëls

translation from the original Dutch: Fons Heijnsbroek
version in Dutch (citaat van Jozef Israëls, in het Nederlands): ..maar, ik moet ze [een schets van moeder met kind aan de borst] heel gauw terug hebben, want ik hecht eraan.. .Zoo'n schets is een deel van mijn leven; die blijft altijd. Die gebruik ik tien, twintig maal.. .'t Is een basis, waar ik op bouw.
Quoted by N.H. Wolf, in 'Bij onze Nederlandsche kunstenaars. IV. - Jozef Israëls, Grootmeester der Nederlandsche Schilders', in Wereldkroniek, 8 Feb. 1902
Wolf wanted to lent the sketch to have a good photo taken of it for his article about Israëls
Quotes of Jozef Israels, after 1900

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote ".. but I must have it back [a sketch of mother with child at the breast] very soon, because I become attached to it... …" by Jozef Israëls?

Jozef Israëls 33

Dutch painter 1824–1911

Related quotes

“I sketched a young mother with her child at her breast, sitting in a smoky hut. If only I could someday paint what I felt then. A sweet woman, an image of charity. She was nursing her big, year-old bambino... And the woman gave her life and her youth and her power tot the child in utter simplicity, unaware that she was a heroine.”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal, Worpswede 1897; as quoted in: Witzling (1991, p. 193) and Delia Gaze (2001) Concise Dictionary of Women Artists, p. 489
1897

“I touch your mouth, I touch the edge of your mouth with my finger, I am drawing it as if it were something my hand was sketching, as if for the first time your mouth opened a little, and all I have to do is close my eyes to erase it and start all over again, every time I can make the mouth I want appear, the mouth which my hand chooses and sketches on your face, and which by some chance that I do not seek to understand coincides exactly with your mouth which smiles beneath the one my hand is sketching on you.”

Julio Cortázar book Hopscotch

Rayuela (Hopscotch) (1963)

“I think my best skill as an architect is the achievement of hand-to-eye coordination. I am able to transfer a sketch into a model into the building.”

Frank Gehry (1929) Canadian-American (b.1929)

Helen D. Hume (2010) The Art Teacher's Book of Lists. p. 304.

“What a struggle I had to make on that ['Mother and Child']. You would say, a nice assignment to make something good out of it, isn't it. I myself thought it that way. So I went to Heeze, I made a mass of studies of women with children, came back with the sketches to my studio... Oh, what an obsession..”

Suze Robertson (1855–1922) Dutch painter

(version in original Dutch / origineel citaat van Suze Robertson:) Wat heb ik dáár op getobd ['Moeder en Kind']. Ge zoudt zeggen, niet waar: 'n opgaaf [opdracht] om best iets goed van te maken. Dat dacht ik ook. 'k ging dus naar nl:Heeze, maakte er massa's studies van vrouwen met kinderen, kwam daarmee op m'n atelier terug.. .Maar wat een obsessie..
Source: 1900 - 1922, Onder de Menschen: Suze Robertson' (1912), p. 34

“Through the lack of attaching myself to words, my thoughts remain nebulous most of the time. They sketch vague, pleasant shapes and then are swallowed up; I forget them almost immediately.”

Jean Paul Sartre book Nausea

Variant: Most of the time, because of their failure to fasten on to words, my thoughts remain misty and nebulous. They assume vague, amusing shapes and are then swallowed up: I promptly forget them.
Source: Nausea

“I've made use of the beautiful weather to sketch and paint outside. I had been staying away from color for such a long time that it had become something quite foreign to me. Working in color was always a great joy to me. And now it is a great joy again. Still, I have to battle with it, wrestle with it, with all my strength. And one must be victorious. But if it weren't for the fight, all the beauty of it wouldn't exist at all, would it? I'm writing this mostly for Mother who, I believe, thinks my whole life is one constant act of egoistic ecstasy. But devotion to art also involves something unselfish.”

Paula Modersohn-Becker (1876–1907) German artist

In a letter to her parents, from Worpswede, 10 September 1899; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 199
1899

“When I got back [from Le Havre], where I had made several sketches of the harbour exit, I thought of placing the sun in the background. I liked the picture so much that I painted it ten times over, with its three-master and its sun.”

Eugène Boudin (1824–1898) French painter

Quote from Boudin's letter, 1882; as cited in the article 'Artists around Monet http://www.muma-lehavre.fr/en/exhibitions/impressions-sun/artists-around-monet, Muma-museum, Le Havre
1880s - 1890s

“And because I love this life
I know I shall love death as well.
The child cries out when
From the right breast the mother
Takes it away, in the very next moment
To Find in the left one
Its consolation.”

Rabindranath Tagore (1861–1941) Bengali polymath

“Soon after completing the 'La Combe' series [circa 1950] I had a dream in which I was assisted by many children on a scaffold, painting a huge mural made up of square panels fitted together. Each panel was being painted by a child very quickly in long black strokes with huge brushes. The work was done in seconds. Upon waking I immediately made a reminder sketch of the mural. Later I made a drawing of many ink strokes, which I cut up into twenty squares and placed at random in a four-by-five grid..”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

as quoted in "Ellsworth Kelly", John Coplands; Harry N. Abrams, New York, 1971
1969 - 1980

“Patience! They will come to it gradually! Rousseau has sold a landscape for five hundred francs; for my part, I have sold a view of Fontainebleau for seventy-five francs. And I am commissioned to ask you for companion sketches to your drawings. And this time, instead of twenty francs, they are to pay you twenty-five! (Millet replied resignedly: 'If I could only sell two drawings a week at that price all would go right!”

Narcisse Virgilio Díaz (1807–1876) French painter

Diaz to Millet, c. 1845; as quoted by Albert Wolff, in Notes upon certain masters of the XIX century, - printed not published MDCCCLXXXVI (1886), The Art Age Press, 400 N.Y. (written after the exhibition 'Cent Chefs-d'Oeuvres: the Choice of the French Private Galleries', Petit, Paris / Baschet, New York, 1883, p. 20
In Paris Diaz had sold three drawings of his friend Millet for sixty francs, but Millet stayed still thoughtful, for he had to think of the morrow
Quotes of Diaz

“.. but I must have it back [a sketch of mother with child at the breast] very soon, because I become attached to it... Such a sketch is a part of my life; it always stays. I use it ten or twenty times... It is a foundation on which I build.”

Help us to complete the source, original and additional information

Jozef Israëls 33

Related quotes

Related topics