Act IV, scene ii. Compare: "Death hath so many doors to let out life", John Fletcher, The Custom of the Country, act ii, scene 2.
Duchess of Malfi (1623)
“Death hath a thousand doors to let out life.”
A Very Woman (1619), Act v. Sc. 4. Compare: "Death hath so many doors to let out life", Beaumont and Fletcher, The Custom of the Country, act ii. sc. 2; "The thousand doors that lead to death", Sir Thomas Browne, Religio Medici, part i, sect. xliv.
Meditations. iv. 17.
Bartlett's Familiar Quotations, 10th ed. (1919)
Poems and Ballads (1866-89), The Triumph of Time
Context: p>I had grown pure as the dawn and the dew,
You had grown strong as the sun or the sea.
But none shall triumph a whole life through:
For death is one, and the fates are three.
At the door of life, by the gate of breath,
There are worse things waiting for men than death;
Death could not sever my soul and you,
As these have severed your soul from me.You have chosen and clung to the chance they sent you,
Life sweet as perfume and pure as prayer.
But will it not one day in heaven repent you?
Will they solace you wholly, the days that were?
Will you lift up your eyes between sadness and bliss,
Meet mine, and see where the great love is,
And tremble and turn and be changed? Content you;
The gate is strait; I shall not be there.</p
“Death hath so many doors to let out life.”
The Custom of the Country (with Philip Massinger; c. 1619–23; published 1647), Act II, scene 2
Compare: "I know death hath ten thousand several doors / For men to take their exits.", John Webster, Dutchess of Malfi (1623); act IV, scene ii
“Better to die ten thousand deaths,
Than wound my honour.”
Act I, scene iv.
Cato, A Tragedy (1713)
“He tries to find the exit from himself but there is no door.”
End of the Labyrinth http://www.poetrysoup.com/famous/poem/21391/End_of_the_Labyrinth
From the poems written in English
Go Rin No Sho (1645), The Ground Book
Context: To master the virtue of the long sword is to govern the world and oneself, thus the long sword is the basis of strategy. The principle is "strategy by means of the long sword". If he attains the virtue of the long sword, one man can beat ten men. Just as one man can beat ten, so a hundred men can beat a thousand, and a thousand men can beat ten thousand. In my strategy, one man is the same as ten thousand, so this strategy is the complete warrior's craft.
The Way of the warrior does not include other Ways, such as Confucianism, Buddhism, certain traditions, artistic accomplishments and dancing. But even though these are not part of the Way, if you know the Way broadly you will see it in everything. Men must polish their particular Way.
Quote from Boudin's letter, 1882; as cited in the article 'Artists around Monet http://www.muma-lehavre.fr/en/exhibitions/impressions-sun/artists-around-monet, Muma-museum, Le Havre
1880s - 1890s
Source: Catch Me if You Can: The True Story of a Real Fake, 2002, Ch.1 Pg.4(a), Ch.1 Pg. 11(b),Back cover(c), Ch.6 Pg.116(d)
