Anne Brontë book The Tenant of Wildfell Hall
Source: The Tenant of Wildfell Hall (1848), Ch. XXXII : Comparisons: Information Rejected; Helen
Source: The Vision of Dhamma (1994), p. 75
Anne Brontë book The Tenant of Wildfell Hall
Source: The Tenant of Wildfell Hall (1848), Ch. XXXII : Comparisons: Information Rejected; Helen
“How shall we venture home?
How shall we tell each other of the poet?”
Muriel Rukeyser (1913–1980) poet and political activist
"The Gates"
The Gates (1976)
Context: How shall we venture home?
How shall we tell each other of the poet?
How can we meet the judgment on the poet,
or his execution? How shall we free him? How shall we speak to the infant beginning to run?
All those beginning to run?
Julie Taymor (1952) American film and theatre director
Bill Moyers interview (2002)
Context: We always write stories of tragedies because that's how we reach our human depth. How we get to the other side of it. We look at the cruelty, the darkness and horrific events that happened in our life whether it be a miscarriage or a husband who is not faithful. Then you find this ability to transcend. And that is called the passion, like the passion of Christ. You could call this the passion of Frida Kahlo, in a way.
When I talk about passion, and I'm not a religious person, but I absolutely am drawn and attracted to the power of religious art because it gets at that most extreme emotion of the human experience.
“How much we give to other hearts our tone,
And judge of others' feelings by our own!”
Letitia Elizabeth Landon (1802–1838) English poet and novelist
Title poem, section IV.
The Venetian Bracelet (1829)
Muriel Rukeyser (1913–1980) poet and political activist
Source: The Gates (1976)
“Most often we are judging not others, but rather our own faculties in others.”
Charles Augustin Sainte-Beuve (1804–1869) French literary critic
Le plus souvent nous ne jugeons pas les autres, mais nous jugeons nos propres facultés dans les autres.
Œuvres choisies (Paris: A. Hatier, 1934) p. 774; Andrew George Lehmann Sainte-Beuve (Oxford: Clarendon Press, 1962) p. 301.