“If anything I probably gravitate to things with great melodies/harmonies, and interesting/syncopated beats.”

—  Andrew Sega

Connexion Bizarre interview with Iris, 2009

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "If anything I probably gravitate to things with great melodies/harmonies, and interesting/syncopated beats." by Andrew Sega?
Andrew Sega photo
Andrew Sega 52
musician from America 1975

Related quotes

“Disco dancing is really dancing for people who hate dancing, since the beat is so monotonous that only the champions can find interesting ways of reacting to it. There is no syncopation, just the steady thump of a giant moron knocking in an endless nail.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'The flying feet of Frankie Foo'
Essays and reviews, The Crystal Bucket (1982)

Ursula Goodenough photo

“Patterns of gene expression are to organisms as melodies and harmonies are to sonatas.”

Ursula Goodenough book The Sacred Depths of Nature

Source: The Sacred Depths of Nature (1998), p. 59
Context: Patterns of gene expression are to organisms as melodies and harmonies are to sonatas. It's all about which sets of proteins appear in a cell at the same time (the chords) and which sets come before or after other sets (the themes) and at what rate they appear (the tempos) and how they modulate one another (the developments and transitions). When these patterns go awry we may see malignancy. When they change by mutation we can get new kinds of organisms. When they work, we get a creature.

Bob Dylan photo

“If you take whatever there is to the song away—the beat, the melody—I could still recite it.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Interview with Paul Robbins (March, 1965)
Context: I find it easy to write songs. I been writing songs for a long time and the words to the songs aren't written out just for the paper; they're written as you can read it, you dig. If you take whatever there is to the song away—the beat, the melody—I could still recite it. I see nothing wrong with songs you can't do that with either—songs that, if you took the beat and the melody away, they wouldn't stand up because they're not supposed to do that, you know. Songs are songs.

Honoré de Balzac photo

“Love is the most melodious of all harmonies and the sentiment of love is innate.”

Honoré de Balzac book Physiology of Marriage

Part I, Meditation V: Of the Predestined http://en.wikisource.org/wiki/The_Physiology_of_Marriage/Part_1/Med_5.
Physiology of Marriage (1829)
Context: Love is the most melodious of all harmonies and the sentiment of love is innate. Woman is a delightful instrument of pleasure, but it is necessary to know its trembling strings, to study the position of them, the timid keyboard, the fingering so changeful and capricious which befits it.

Piero Scaruffi photo

“Beatles' "aryan" music removed any trace of black music from rock and roll: it replaced syncopated african rhythm with linear western melody, and lusty negro attitudes with cute white-kid smiles.”

Piero Scaruffi (1955) Italian writer

Beatles The History of Rock Music http://www.scaruffi.com/vol1/beatles.html

Prevale photo

“Music is the beating that puts hearts in harmony.”

Prevale (1983) Italian DJ and producer

Original: (it) La musica è il battito che mette i cuori in armonia.
Source: prevale.net

B.K.S. Iyengar photo

“Yoga is like music: the rhythm of the body, the melody of the mind, and the harmony of the soul create the symphony of life/”

B.K.S. Iyengar (1918–2014) Indian yoga teacher and scholar

Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, p. 59-60

“First of all, this is Duke's band, and this is Tchaikovsky. Knowing things in their original sources, I abhor taking a concert thing and trying to treat it in a jazz light. In the beginning they have a very nice orchestral usage, but the minute they start going into Johnny Hodges and 4/4, it just doesn't fit. It comes out neither fowl nor fish. The orchestration is enjoyable because, for one reason, they've done a nice job of getting nice, legitimate, straight-sounding things. The melodies are very lovely, but, of course, Duke is the master in this type of thing. But over-all, from a jazz standpoint, I don't appreciate it at all. If I didn't know it was Tchaikovsky, for instance, with the tambourine bit and all, I would feel it was straight out of an MGM Arabian movie. The harmonies he used, particularly some of the background things, interested me more than the melodies, probably because the harmonic part of music interests me more than any. From an orchestrational standpoint I would give this somewhere around 3½ stars; but from a jazz standpoint, none.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing "Arabesque Cookie" https://www.youtube.com/watch?v=GJtWZ771OqA from Ellington's The Nutcracker Suite; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe by Leonard Feather, in Downbeat (October 25, 1962), p. 39

“I wrote a little song for you
With a melody I'd borrowed put to words that didn't rhyme
To repeat what you already knew;
As the stones thrown at your window tapped in syncopation,
You kept a distance out of fear you'd break,
But what good's a single windchime, hanging quiet all alone?”

Aaron Weiss

In a Market Dimly Lit.
Brother, Sister (2006)

Angelus Silesius photo

“Ah, were men's voices like the wood-birds' melody— Each happy note distinct, but all in harmony!”

Angelus Silesius (1624–1677) German writer

The Cherubinic Wanderer

Related topics