
in interview with nl:Ischa Meyer, c. 1988
quote c. 1988 - from ('RM'), 157; p. 41
Karel Appel, a gesture of colour' (1992/2009)
Diary-note of Boudin, 3 December, 1856; as cited in the description of his painting 'Sky, Setting Sun, Bushes in Foreground' http://www.muma-lehavre.fr/en/collections/artworks-in-context/eugene-boudin/boudin-skies, by the Muma-museum, Le Havre
A quote from Boudin's personal diary sheds remarkable light on a small group of his sky studies
1850s - 1870s
in interview with nl:Ischa Meyer, c. 1988
quote c. 1988 - from ('RM'), 157; p. 41
Karel Appel, a gesture of colour' (1992/2009)
the washed-out, almost invisible blue of a hot, summer noon; the soft robin's egg, sometimes almost greenish blue of a late springtime evening, the darker, almost violet blue of fall. I have become a connoisseur of the coloring that the leaves take on in autumn and I know all the voices and the moods of the woods and river valley. I have, in a measure, entered into communion with nature, and in this wise have followed in the footsteps of Red Cloud and his people, although I am sure that their understanding and their emotions are more fine-tuned than mine are. I have seen, however, the roll of seasons, the birth and death of leaves, the glitter of the stars on more nights than I can number and from all this as from nothing else I have gained a sense of a purpose and an orderliness which it does not seem to me can have stemmed from accident alone.
It seems to me, thinking of it, that there must be some universal plan which set in motion the orbiting of the electrons about the nucleus and the slower, more majestic orbit of the galaxies about one another to the very edge of space. There is a plan, it seems to me, that reaches out of the electron to the rim of the universe and what this plan may be or how it came about is beyond my feeble intellect. But if we are looking for something on which to pin our faith — and, indeed, our hope — the plan might well be it. I think we have thought too small and have been too afraid...
Ch 24
A Choice of Gods (1972)
short notation, 1881: from 'Notes inedites de Seurat sur Delacroix', in 'Bulletin de la Vie Artistique', April 1922; as quoted by John Rewald, in Georges Seurat', a monograph https://ia800607.us.archive.org/23/items/georges00rewa/georges00rewa.pdf; Wittenborn and Compagny, New York, 1943. p. 6 - note 9
Seurat studied carefully the paintings of Eugene Delacroix, and wrote in 1881 about Delacroix's painting 'The Fanatics of Tangier' https://upload.wikimedia.org/wikipedia/commons/a/a0/Eug%C3%A8ne_Delacroix_-_The_Fanatics_of_Tangier_-_WGA06195.jpg this notation
Quotes, 1881 - 1890
Source: Solaris (1961), Ch. 14: "The Old Mimoid", p. 204 (final lines)
Context: I hoped for nothing. And yet I lived in expectation. Since she had gone, that was all that remained. I did not know what achievements, what mockery, even what tortures still awaited me. I knew nothing, and I persisted in the faith that the time of cruel miracles was not past.
“There were clouds like sharks with open jaws in the sky that morning.”
Source: Short fiction, The Winter Players (1976), Chapter 6, “Blue Cave” (p. 170)
My Way: The Way of the White Clouds (1995)
Context: Find moments when you are not, and those will be the moments when you will be for the first time... really. So I am the white cloud, and the whole effort is to make you also white clouds drifting in the sky. Nowhere to go, coming from nowhere, just being there this very moment — perfect. I don't teach you any ideals, I don't teach you any oughts. I don't say to you be this, become that. My whole teaching is simply this: Whatsoever you are, accept it so totally that nothing is left to be achieved, and you will become a white cloud.
“Feelings come and go like clouds in a windy sky. Conscious breathing is my anchor.”
Source: Stepping into Freedom: Rules of Monastic Practice for Novices
Source: Practical Pictorial Photography, 1898, Composition and clouds considered as an aid to expression, p. 105