“After the first day there [In 1961, at the invitation of Tatyana Grosman, Frankenthaler ventured out to Universal Limited Art Editions (ULAE), Grosman's Long Island printmaking studio, and began making lithographs for the first time] I felt no hesitation. I was very committed. All I had to do was start work on that print. It was a whole new road - and a very connected road.”

— Helen Frankenthaler

Quote from Artists and Prints: Masterworks from The Museum of Modern Art, New York, Deborah Wye; The Museum of Modern Art, 2004, p. 146 http://www.moma.org/collection/object.php?object_id=69050 <br class="br">1990s - 2000s

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "After the first day there [In 1961, at the invitation of Tatyana Grosman, Frankenthaler ventured out to Universal Limit…" by Helen Frankenthaler?

Helen Frankenthaler46

American artist 1928–2011

Related quotes

“I painted [circa 1960-62] through the whole history of art toward abstraction. I painted like crazy [and] I had some success with all that, or gained some respect. But than I felt it wasn't it, and so I burned the crap in some sort of action in the courtyard. And then I began. It was wonderful to make something and then destroy it. It was doing something and I felt very free.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 42, note 34

“The road ahead of you is long, dark, and, I very much fear, bloodstained. I also very much fear that you will take us all down that road. But you must live to reach the end of it.”

Robert Jordan (1948–2007) American writer

Elder Haman to Rand al'Thor
(15 October 1994)

“This work… was designed in the first instance to be a second edition of a Treatise on Algebra, published in 1830, and which has been long out of print; but I have found it necessary, in carrying out the principles developed in that work, to present the subject in so novel a form, that I could not with propriety consider it in any other light than as an entirely new treatise.”

George Peacock (1791–1858) Scottish mathematician

Vol. I: Arithmetical Algebra Preface, p. iii
A Treatise on Algebra (1842)

“Does the road wind up-hill all the way?
Yes, to the very end.
Will the day's journey take the whole long day?
From morn to night, my friend.”

Christina Rossetti (1830–1894) English poet

Up-Hill http://unix.cc.wmich.edu/~cooneys/poems/rossetti.uphill.html, st. 1 (1861).

“Even at the end of the road, read the first sentence, there is a road. Even at the end of the road, a new road stretches out, endless and open, a road that may lead anywhere. To him who will find it, there is always a road.”

D.J. MacHale (1955) American television director and producer

Source: Pendragon Before The War: Book Two Of The Travelers (Pendragon

“I returned to civilization shortly after that and went to Cornell to teach, and my first impression was a very strange one. I can't understand it any more, but I felt very strongly then. I sat in a restaurant in New York, for example, and I looked out at the buildings and I began to think, you know, about how much the radius of the Hiroshima bomb damage was and so forth… How far from here was 34th street?… All those buildings, all smashed — and so on. And I would go along and I would see people building a bridge, or they'd be making a new road, and I thought, they're crazy, they just don't understand, they don't understand. Why are they making new things? It's so useless. But, fortunately, it's been useless for almost forty years now, hasn't it? So I've been wrong about it being useless making bridges and I'm glad those other people had the sense to go ahead.”

Richard Feynman (1918–1988) American theoretical physicist

On his emotional reaction after the first uses of the atomic bomb.
Part 3: "Feynman, The Bomb, and the Military", "Los Alamos from Below", p. 136
Surely You're Joking, Mr. Feynman! (1985)

“And the first studio I went to [in New York, c. 1950]... I was trying to find de Kooning because he had a painting at the Whitney, which was in the old Studio School [Eighth Street], you know... And I thought I would like to know him. I really dug his painting, and I dug Gorky's painting... But the first studio I went into was Franz Kline... and there were all these Klines, unstretched, hanging on the brick walls. Beautiful. You know, with the telephone book drawings all over the floor, and Kline yakking away, and it was just, I was out of my mind! And so from then on I got involved in the Artists Club. They allowed very few women in, and I was included for $35 a year. And I got very involved in the Cedar Bar and the whole thing..”

Joan Mitchell (1925–1992) American painter

second side of the first tape
1975 - 1992, Oral history interview with Joan Mitchell, 1986

“After a year being off the road it got pretty hard, I started to get pretty low as I wanted that drug back, I wanted that connection back.”

Billie Joe Armstrong (1972) American singer and guitarist

“You learn in retrospect and appreciate as you move on. I was indeed shaped by my experience at Smith—it was the first time I had to struggle. It was the very first time I learned how to determine and focus very specifically on the things that I felt were important, to strategize and to learn how to go about getting them and making them happen.”

Yolanda King (1955–2007) American actress

1980s, A Dream Deferred (1989)
Context: It is a real thrill to be back home. When I was here I was not as endeared to this institution as I am now. You learn in retrospect and appreciate as you move on. I was indeed shaped by my experience at Smith—it was the first time I had to struggle. It was the very first time I learned how to determine and focus very specifically on the things that I felt were important, to strategize and to learn how to go about getting them and making them happen. While it was painful then, I am truly thankful for that experience now.

“I'm very happy as I am. I realise that I made sacrifices early in my career and that it was hard on my relationships because, when I am working, I am very focused and it isn't easy, when you have been in the studio all day, to say to someone, 'I'll meet up with you later on.' I learned that it was necessary to be dedicated and put work first. But, at the same time, it was a wonderful feeling to be successful at doing something I loved.”

Enya (1961) Irish singer, songwriter, and musician

Women's Weekly interview (2006)

Help us to complete the source, original and additional information

Helen Frankenthaler46

Related quotes

Related topics