“Mr. Clerselier has written me that you are expecting from him my Meditations… in order to present them to the queen of the land. …If I had only been as wise as they say the savages persuaded themselves that the monkeys were, I never would have become known as a maker of books: Since it is said that they imagined that the monkeys could indeed speak, if they wanted to, but that they chose not to so lest they be forced to work. And since I had not the same prudence to abstain from writing, I now have neither as much liesure nor as much peace as I would have had if I had kept quiet. But since the mistake has already been made, and since I am now known by an infinity of people at the academy, who look askance at my writings and scour them for means of harming me, I do have great hope of being known to persons of great merit, whose power and virtue could protect me.”

— René Descartes

Letter to Pierre Chanut (Nov. 1, 1646) as quoted by Amir Aczel, Descartes' Secret Notebook (2005) citing René Descartes: Correspondance avec Elizabeth et autres lettres (1989) ed., Jean-Marie and M. Beysaade, pp. 245-246.

Adopted from Wikiquote. Last update March 9, 2022. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Mr. Clerselier has written me that you are expecting from him my Meditations… in order to present them to the queen of …" by René Descartes?

René Descartes 47

French philosopher, mathematician, and scientist 1596–1650

Related quotes

“I had gone thoroughly through some of the all-fiction magazines and I made up my mind that if people were paid for writing such rot as I read I could write stories just as rotten. Although I had never written a story, I knew absolutely that I could write stories just as entertaining and probably a lot more so than any I chanced to read in those magazines.
I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list. I had never met an editor, or an author or a publisher. l had no idea of how to submit a story or what I could expect in payment. Had I known anything about it at all I would never have thought of submitting half a novel; but that is what I did.
Thomas Newell Metcalf, who was then editor of The All-Story magazine, published by Munsey, wrote me that he liked the first half of a story I had sent him, and if the second half was as good he thought he might use it. Had he not given me this encouragement, I would never have finished the story, and my writing career would have been at an end, since l was not writing because of any urge to write, nor for any particular love of writing. l was writing because I had a wife and two babies, a combination which does not work well without money.”

Edgar Rice Burroughs (1875–1950) American writer

How I Wrote the Tarzan Books (1929)

“I didn't want a world in which I had to choose between blind human babies and tortured monkey ones. To be frank, that's the sort of choice I expect science to protect me from, not give me.”

Karen Joy Fowler book We Are All Completely Beside Ourselves

Source: We Are All Completely Beside Ourselves

“It seems to me that since I've had children, I've grown richer and deeper. They may have slowed down my writing for a while, but when I did write, I had more of a self to speak from.”

Anne Tyler (1941) American novelist

“I could never imagine a movie being made from the way I had structured the book, it still feels miraculous that we made it this way without compromising the story, but everything has felt miraculous since I got that first phone call saying Martin Scorsese wants to make a movie out of 'Hugo.”

Brian Selznick (1966) American children's illustrator and writer

I recognize how lucky I am.
Brian Selznick: The author who inspired Martin Scorsese and Todd Haynes to make family films http://www.latimes.com/entertainment/movies/moviesneaks/la-ca-mn-0903-sneaks-brian-selznick-wonderstruck-20170903-story.html (September 1, 2017)

“Picture this," said Magnus. "Me with a little monkey friend. I could teach him tricks. I could dress him in a cunning jacket. He could look just like me! But more monkey-shaped.”

Cassandra Clare (1973) American author

Source: What Really Happened in Peru

“Wait."
"So what am I supposed to do now?"

"You know, Jin, I would have saved myself from five hundred years' imprisonment beneath a mountain of rock had I only realized how good it is to be a monkey."

(222-223)”

Gene Luen Yang American Born Chinese

Source: American Born Chinese

“I was already at the twentieth section of the book and not very happy with it, when I realised how it could be written. I saw that I would only be able to write it if I did so as if I were actually telling the story. That could not be done by putting so-called oral language into writing, because that's impossible, but by introducing into my writing a mechanism of apparent spontaneity, apparent digression and apparent disorganisation in the discourse. I say 'apparent' since I am only too aware of how much work it took to ensure that it turned out like that.”

José Saramago (1922–2010) Portuguese writer and recipient of the 1998 Nobel Prize in Literature

...eu já estava na vigésima parte do livro, triste, quando senti que o livro podia ser escrito. Percebi que só seria capaz de escrevê-lo se o fizesse como se contasse. Não passando para a escrita o chamado discurso oral, porque isso é impossível, mas introduzindo na escrita um me-canismo de aparente prolixidade, aparente desor-ganização do discurso. Digo aparente porque sei o trabalho que me deu fazer de conta que era tudo assim.
Interview in Idéias, no. 107 (15 October 1988), trans. Margaret Jull Costa.

Tommaso Campanella (1568–1639) Italian philosopher, theologian, astrologer, and poet

"Letter of 1607", as cited by Eisenstein, Elizabeth L., 2012, The Printing Revolution in Early Modern Europe, Cambridge University Press, p. 218.

“In order to write anything profile-driven, I would become the person; and then I would analyse the person from within. Earlier, I would analyse them from without. But if I was going to write about him now, I would do it internally, so then it would be fiction.”

Hilton Als (1961) writer, critic

On how his writing has changed in “Hilton Als: ‘I had this terrible need to confess, and I still do it. It’s a bid to be loved’” https://www.theguardian.com/books/2018/feb/02/hilton-als-interview-pulitzer-prize-criticism-white-girls in The Guardian (2018 Feb 2)

“I cried out. I turned the pages, one after the other, in a frenzy. I could not believe what I saw, would not believe it. For the pages of the book were blank.
Oh, yes, there had been writing, this much I could see, but the inks had faded. Now there were only faint smudges and marks here and there on the yellowness. And I could tell nothing from them…
It came to me, as I walked, how bitter the irony of the Book had been which had said: Herein the Truth. For it had a truth of its own in its bleached barrenness. What was truth except something which faded, lost its shape, grew unreadable and indistinguishable, at last a blank page for men to write on what they wished.”

Tanith Lee book The Birthgrave

Book Three, Part II “The Edge of the Sea”, Chapter 2 (p. 357)
The Birthgrave (1975)

Help us to complete the source, original and additional information

René Descartes 47

Related quotes

Related topics