
[In] 1927 Exhibition of Typography in Moscow.
1926 - 1941, Autobiography of the artist' (1941)
to critiques
Daniel Buren (1972), cited in: Marina Abramović, Jens Hoffmann (2004). The next Documenta should be curated by an artist.
1970s
[In] 1927 Exhibition of Typography in Moscow.
1926 - 1941, Autobiography of the artist' (1941)
Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 406
Source: 1930s, Adventures of Ideas (1933), p. 353.
The American Mercury (May 1926)
1920s
Context: It is the natural tendency of the ignorant to believe what is not true. In order to overcome that tendency it is not sufficient to exhibit the true; it is also necessary to expose and denounce the false. To admit that the false has any standing in court, that it ought to be handled gently because millions of morons cherish it and thousands of quacks make their livings propagating it—to admit this, as the more fatuous of the reconcilers of science and religion inevitably do, is to abandon a just cause to its enemies, cravenly and without excuse. It is, of course, quite true that there is a region in which science and religion do not conflict. That is the region of the unknowable.