“Once, along with The Transfigured Night, he played a class Rachmaninoff’s Isle of the Dead. Most of the class had not seen the painting, so he went to the library and returned with a reproduction of it. Then he pointed, with a sober smile, to a painting which hung on the wall of the classroom (A Representation of Several Areas, Some of Them Grey, one might have called it; yet this would have been unjust to it—it was non-representational) and played for the class, on the piano, a composition which he said was an interpretation of the painting: he played very slowly and very calmly, with his elbows, so that it sounded like blocks falling downstairs, but in slow motion. But half his class took this as seriously as they took everything else, and asked him for weeks afterward about prepared pianos, tone-clusters, and the compositions of John Cage and Henry Cowell; one girl finally brought him a lovely silk-screen reproduction of a painting by Jackson Pollock, and was just opening her mouth to—
He interrupted, bewilderingly, by asking the Lord what land He had brought him into. The girl stared at him open-mouthed, and he at once said apologetically that he was only quoting Mahler, who had also diedt from America; then he gave her such a winning smile that she said to her roommate that night, forgivingly: “He really is a nice old guy. You never would know he’s famous.””

— Randall Jarrell , book Pictures from an Institution

“Is he really famous?” her roommate asked. “I never heard of him before I got here. ...”
Source: Pictures from an Institution (1954) [novel], Chapter 4, pp. 138–139

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Randall Jarrell 215

poet, critic, novelist, essayist 1914–1965

Adolph Gottlieb (1903–1974) American artist

1950s, Conversations With Artists, 1957

“I don't care for 'Abstract expressionism'.... and it is certainly not 'non-objective', and not 'non-representational' either. I'm very representational some of the time, and a little all of the time. But when you're painting out of your consciousness, figures are bound to emerge. We're all of us influenced by Freud, I guess. I've been a Jungian for a long time... Painting is a state of being... Painting is self-discovery. Every good artist paints what he is.”

Jackson Pollock (1912–1956) American artist

In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's

“Pudge is so old, they didn't have history class when he went to school.”

Steve Lyons (1960) American baseball player

“The kind of painting which I find exciting is not necessarily representational or non-representational, but it is musical and architectural… Whether this visual relationship is slightly more or slightly less abstract is, for me, beside the point.”

Ben Nicholson (1894–1982) British painter

"Notes on Abstract Art" in Herbert Read's Ben Nicholson: Paintings, Reliefs, Drawings (London, 1948)

“Like most chairmen, he teaches only one class of Seniors; the most experienced teachers are frequently promoted right out of the classroom!”

Bel Kaufmanová book Up the Down Staircase

Part II, ch. 9 (Sylvia Barrett)
Up the Down Staircase (1965)

“The American uppermiddle-class citizen is a composite of negatives. He is largely delineated by what he is not.”

William S. Burroughs book Junkie

Junkie (1953)

“The Church would have liked to turn to each of those thousand unbelievers separately, to show him that he was wrong, that he had allowed himself to be led astray by his passions, that he had everything to fear in the next life, and so forth. But it was not he, really, who had become disbelieving, it was his whole class, and it was his class consciousness which replied for him when he was addressed individually.”

Bernard Groethuysen (1880–1946) French literary historian, translator and writer

Source: The Bourgeois: Catholicism vs. Capitalism in Eighteenth-Century France (1927), p. 25

“The style of how we play is very important. But it is omelettes and eggs. No eggs - no omelettes! It depends on the quality of the eggs. In the supermarket you have class one, two or class three eggs and some are more expensive than others and some give you better omelettes. So when the class one eggs are in Waitrose and you cannot go there, you have a problem.”

José Mourinho (1963) Portuguese association football player and manager

http://news.bbc.co.uk/sport2/hi/funny_old_game/7004282.stm
Chelsea FC

“No, absolutely not, I have never been what one calls a gifted child, never a dreamer. I didn't think of making fantasies with the pencil on the paper, although at school we learned to draw and play music of course. But in those days the piano was actually what I preferred most... But until my eighteenth year I have been hesitating long between both [painting and playing piano]..”

Suze Robertson (1855–1922) Dutch painter

version in original Dutch / origineel citaat van Suze Robertson: Nee, ik ben volstrekt nooit wat men noemt een begaafd kind geweest, nooit een droomster. Aan fantasie met 't potlood op 't papier dacht ik niet, al leerden we op school natuurlijk ook teekenen en muziek. Maar in dien tijd was de piano eigenlijk meer mijn fort.. .Toch heb ik tot mijn achttiende jaar tussen die beide lang gewankeld.
Source: 1900 - 1922, Onder de Menschen: Suze Robertson' (1912), p. 30

“When Ling was communicating to any person the signs by which messengers might find him, he was compelled to add, "the neighbourhood in which this contemptible person resides is that officially known as 'the mean quarter favoured by the lower class of those who murder by treachery'," and for this reason he was not always treated with the regard to which his attainments entitled him, or which he would have unquestionably received had he been able to describe himself as of "the partly-drained and uninfected area reserved to Mandarins and their friends."”

Ernest Bramah book The Wallet of Kai Lung

The Transmutation of Ling
The Wallet of Kai Lung (1900)

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