“In the days before machinery men and women who wanted to amuse themselves were compelled, in their humble way, to be artists. Now they sit still and permit professionals to entertain them by the aid of machinery. It is difficult to believe that general artistic culture can flourish in this atmosphere of passivity.”

— Aldous Huxley , book The Doors of Perception

The Doors of Perception (1954)

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Aldous Huxley 290

English writer 1894–1963

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“Women had to work like slaves in the art world, but a lot of men got to the top through their charm. And it hurt them. To be young and pretty didn't help a woman in the art world, because the social scene, and the buying scene, was in the hands of women – women who had money. They wanted male artists who would come alone and be their charming guests. Rothko could be very charming. It was a court. And the artist buffoons came to the court to entertain, to charm. Now it has changed, now the younger men are in – older women and younger men.”

Louise Bourgeois (1911–2010) American and French sculptor

Louise Bourgeois, ‎Donald Burton Kuspit (1988). Bourgeois. p. 76: On the art world

“They lived freely among the students, they argued with the men over philosophical, sociological and artistic matters, they were just as good as the men themselves: only better, since they were women.”

D.H. Lawrence book Lady Chatterley's Lover

Source: Lady Chatterley's Lover

“There is a fundamental difference, however, between asking to be permitted to keep a vegetative relative on costly machinery, and asking the taxpayers or society as a whole to pay for such machinery.”

Jacob M. Appel (1973) American author, bioethicist, physician, lawyer and social critic

"Rational Rationing vs. Irrational Rationing" http://www.huffingtonpost.com/jacob-m-appel/rational-rationing-vs-irr_b_622057.html, The Huffington Post (2010-06-23)

“Putting a monkey wrench in machinery is often the only way to force somebody to repair, replace, or redesign the machinery. Especially legal or social machinery.”

Larry Niven book World of Ptavvs

Source: World of Ptavvs (1966), p. 97

“An intellectual is a man who says a simple thing in a difficult way; an artist is a man who says a difficult thing in a simple way.”

Charles Bukowski book Notes of a Dirty Old Man

Notes of a Dirty Old Man (1969)

“I have been treated better than I should have been---not by life in general nor by the machinery of things but by women.”

Charles Bukowski (1920–1994) American writer

Source: What Matters Most is How Well You Walk Through the Fire

“The bridge was not of such great importance or social significance, but it was symbolical that Labour was capable of decision, that the machinery of democratic public administration would work if the men and women in charge were determined that it should work.”

Herbert Morrison (1888–1965) British Labour politician

The Times, 10 December 1934.
Explaining his decision to personally begin the dismantling of the old Waterloo Bridge; the government had refused to allow the council to build a replacement so Morrison and his allies forced the issue by breaking up the existing bridge.

“… "folk art" signifies the poetical, musical, and pictorial activities of those strata of the population which are uneducated and not urbanized or industrialized. It is of the essence of this art that those who keep it in being are not only passively receptive, but normally are creative participants in the artistic activities, and yet do not stand out as individuals or claim any personal authorship of the productions. "Popular art" on the other hand is to be understood as artistic or quasi-artistic production for the demand of a half-educated public, generally urban and inclined to mass-behavior. In folk art, producers and consumers are hardly distinguished, and the boundary between them is always fluid; in the case of popular art, we find on the contrary an artistically uncreative, completely passive public, and professional production of artistic goods strictly in response to the demand for them. It is indeed a striking fact that folk art, especially folk-poetry, emerges from the ranks of those who enjoy it, whereas popular songs—the street-ballads and popular "hits"—derive from professionals belonging to and spiritually dependent upon the upper classes.”

Arnold Hauser (1892–1978) Hungarian art historian

Arnold Hauser (1985). The philosophy of art history. p. 279

“At the Bauhaus, Klee exuded a healthy, generative atmosphere – as a great artist and as a lucid, pure human being.”

Wassily Kandinsky (1866–1944) Russian painter

Quote of Kandinsky, from Bauhaus - Zeitschrift für Gestaltung, no. 3, 1931; as cited in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html
1930 - 1944

“An artistic atmosphere does not create artists a literary atmosphere does not create literators; poets and painters spring up where there was never a verse made or a picture seen. This suggests that God is no more idle now than He was at the beginning, but that He is still and forever shaping the human chaos into the instruments and means of beauty.”

William Dean Howells (1837–1920) author, critic and playwright from the United States

My Literary Passions (1895)

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Aldous Huxley 290

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