“To say that a thing "wholly pertains" to something else, or "does not pertain to it in any way," and that something "is predicated in a universal way" of something else, or "is completely alien to it" amount to the same thing. Nevertheless, while one form of expression is [now] in frequent use, the other has become practically obsolete, except so far as it may occasionally be admitted through mutual agreement. In Aristotle's day it was perhaps customary to use both of these forms of expression, but now one has replaced the other [simply] because usage has so decreed. p. 168”

— John of Salisbury

The Metalogicon of John of Salisbury (1159)

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John of Salisbury 8

English philosopher and theologian

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“It is one thing to find the Permanent; it is another thing to find a form of words in which the Permanent shall stand permanently expressed. It is one thing to experience something fixed and changeless; it is another thing to fix this something by a changeless definition. The first may be possible, while the second remains impossible for ever.”

L. P. Jacks (1860–1955) British educator, philosopher, and Unitarian minister

The Usurpation Of Language (1910)
Context: Philosophy has been called the search for the Permanent amid the changing. With this account of philosophy there is no need to quarrel. But having accepted it, a distinction remains to be observed, a distinction of capital importance, which we are in constant danger of forgetting. It is one thing to find the Permanent; it is another thing to find a form of words in which the Permanent shall stand permanently expressed. It is one thing to experience something fixed and changeless; it is another thing to fix this something by a changeless definition. The first may be possible, while the second remains impossible for ever.

“Life must be considered sui generis; it is not a form of energy, nor can it be expressed in terms of something else.”

Oliver Lodge (1851–1940) British physicist

Raymond, p. 290 https://babel.hathitrust.org/cgi/pt?id=loc.ark:/13960/t80k3mq4s;view=1up;seq=332
Raymond, or Life and Death (1916)

“As human beings, our job in life is to help people realize how rare and valuable each one of us really is, that each of us has something that no one else has—or ever will have—something inside that is unique to all time. It's our job to encourage each other to discover that uniqueness and to provide ways of developing its expression.”

Fred Rogers (1928–2003) American television personality

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“It is never literally true that any form is meaningless and "says nothing." Every form in the world says something. But its message often fails to reach us, and even if it does, full understanding is often withheld from us. ] and, properly speaking, FORM IS THE OUTWARD EXPRESSION OF THIS INNER MEANING.”

Wassily Kandinsky (1866–1944) Russian painter

Part II. About painting : VI. The language of Form and Colour : Footnote
Similar quote in another translation:
There is no form, there is nothing in the world which says nothing. Often - it is true - the message does not reach our soul, either because it has no meaning in and for itself, or - as is more likely – because it has not been conveyed to the right place.. .Every serious work rings inwardly, like the calm and dignified words: 'Here I am!'
Partly cited in: Raymond Firth (2011) Symbols: Public and Private, p. 43
1910 - 1915, Concerning the Spiritual in Art, 1911

“Is not every man familiar with situations in his own life, when the needs of self-expression cannot be satisfied by saying any thing whatsoever times and occasions when, to make his fellows understand what he means, he must straight way do something, or be something, and perhaps hold his tongue the while? And can we deny that the same holds good of the Universe?”

L. P. Jacks (1860–1955) British educator, philosopher, and Unitarian minister

The Usurpation Of Language (1910)

“The work of art that says something confronts us itself. That is, it expresses something in such a way that what is said is like a discovery, a disclosure of something previously concealed.”

Hans-Georg Gadamer (1900–2002) German philosopher

Source: Aesthetics and Hermeneutics (1964), p. 101 http://books.google.com/books?id=7RP-TggufEEC&pg=PA101 (quotation is from Goethe)
Context: The work of art that says something confronts us itself. That is, it expresses something in such a way that what is said is like a discovery, a disclosure of something previously concealed. The element of surprise is based on this. "So true, so filled with being" [So wahr, so seiend] is not something one knows any other way. Everything familiar is eclipsed. To understand what the work of art says to us is therefore a self-encounter.

“The infinite… happens to subsist in a way contrary to what is asserted by others: for the infinite is not that beyond which there is nothing, but it is that of which there is always something beyond. …But that pertaining to which there is nothing beyond is perfect and whole. …that of which nothing is absent pertaining to the parts …the whole is that pertaining to which there is nothing beyond. But that pertaining to which something external is absent, that is not all …But nothing is perfect which has not an end; and the end is a bound. On this account… Parmenides spoke better than Melissus: for the latter says that the infinite is a whole; but the former, that the whole is finite, and equally balanced from the middle: for to conjoin the infinite with the universe and the whole, is not to connect line with line.”

Aristotle book Physics

Book III, Ch. IX, pp. 168-169.
Physics

“There are two things that go on in art. There's getting to the essential material and a design that's inherent in the use of material, and also an essential level of expressiveness, a precise way of saying something rather than a complicated way.”

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Source: Color, Format and Abstract Art' (1977), pp. 99 – 105

“Ultimately modelling, acting or dancing is a form of an art. There might be different ways to express these various arts but the basics are always same. We have only nine emotions all over the world and expressing those emotions in any form is going to be similar in one or the other way. there is a rhythm in everything. In modelling we hold the expressions or try to express with no emotions on face but with pride and attitude in acting we go with the flow of the emotions and in dance, we express through our face and body both in rhythm. So this rhythm and emotions are part of your expressions.”

Nikita Gokhale (1990) Indian Actress, Indian Model

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“The goodness of the Universe is not limited. When something "looks as if" it is running out, do not fret. This, or something better, is on its way. Sufficiency is the natural order of things. Good never runs out -- although it may change form.”

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John of Salisbury 8

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