“He is Karna, whom the world has abandoned…. A prince raised in poverty. Born to die unfairly, unarmed and alone at the hands of his brother. Majestic in his complete despair. Praying on the banks of the Ganga…. Then Kunti appeared…. She had come to tell Karna a story.”

Source: The God of Small Things, p. 232

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character from Indian epic Mahabharata

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“He is Karna, whom the world has abandoned. Karna Alone. Condemned goods. A prince raised in poverty. Born to die unfairly, unarmed and alone at the hands of his brother. Majestic in his complete despair. Praying on the banks of the Ganga. Stoned out of his skull.
Then Kunti appeared. She too was a man, but a man grown soft and womanly, a man with breasts, from doing female parts for years. Her movements were fluid. Full of women. Kunti, too, was stoned. High on the same shared joints. She had come to tell Karna a story.
Karna inclined his beautiful head and listened.
Red-eyed, Kunti danced for him. She told him of a young woman who had been granted a boon. A secret mantra that she could use to choose a lover from among the gods. Of how, with the imprudence of youth, the woman decided to test it to see if it really worked. How she stood alone in an empty field, turned her face to the heavens and recited the mantra. The words had scarcely left her foolish lips, Kunti said, when Surya, the God of Day, appeared before her. The young woman, bewitched by the beauty of the shimmering young god, gave herself to him. Nine months later she bore him a son. The baby was born sheathed in light, with gold earrings in his ears and a gold breastplate on his chest, engraved with the emblem of the sun.
The young mother loved her first-born son deeply, Kunti said, but she was unmarried and couldn't keep him. She put him in a reed basket and cast him away in a river. The child was found downriver by Adhirata, a charioteer. And named Karna.
Karna looked up to Kunti. Who was she? Who was my mother? Tell me where she is. Take me to her.
Kunti bowed her head. She's here, she said. Standing before you.
Karna's elation and anger at the revelation. His dance of confusion and despair. Where were you, he asked her, when I needed you the most? Did you ever hold me in your arms? Did you feed me? Did you ever look for me? Did you wonder where I might be?
In reply Kunti took the regal face in her hands, green the face, red the eyes, and kissed him on his brow. Karna shuddered in delight. A warrior reduced to infancy. The ecstasy of that kiss. He dispatched it to the ends of his body. To his toes. His fingertips. His lovely mother's kiss. Did you know how much I missed you? Rahel could see it coursing through his veins, as clearly as an egg travelling down an ostrich's neck.
A travelling kiss whose journey was cut short by dismay when Karna realised that his mother had revealed herself to him only to secure the safety of her five other, more beloved sons - the Pandavas - poised on the brink of their epic battle with their one hundred cousins. It is them that Kunti sought to protect by announcing to Karna that she was his mother. She had a promise to extract.
She invoked the Love Laws.”

Arundhati Roy book The God of Small Things

pages 232-233.
The God of Small Things (1997)

“In reply Kunti took the regal face in her hands, and kissed him on his brow. Karna shuddered in delight. A warrior reduced to infancy. The ecstasy of that kiss. He dispatched it to the ends of his body. To his toes. His fingertips. His lovely mother's kiss.”

Kunti character from Indian epic Mahabharata

Source: The God of Small Things, p. 233.

“Karna the Warrior could not make that promise, for if he did, he would have to revoke another one. Tomorrow he would go to war, and his enemies would be the Pandavas. They were the ones, Arjuna in particular, who had publicly reviled him for being a lowly charioteer’s son And it was Duryodhana, the eldest of one hundred Kaurava brothers, that came to his rescue by gifting him a kingdom of his own. Karna, in return, had pledged Duryodhana eternal fielty. But Karna the generous could not refuse his mother what she asked of him. Made a small adjustment, took a somewhat altered oath.”

Kunti character from Indian epic Mahabharata

Source: The God of Small Things, p. 233.

“Pandu was married to Kunti, the adopted daughter of King Kuntibhoja. Her real father was King Sura of the Yadava clan. Kuntibhoja had adopted her and used her to serve a Brahmin visiting his court. This Brahmin [Durvasa] was known both for his irascibility and his great magical powers. Kunti served him so well that he blessed the king and gave Kunti several mantras with which she could call any god to father her child. In her childish curiosity, Kunti used one mantra and called Surya, the sun-god. He appeared immediately and begot a son on her. Frightened, Kunti put the child in a box, with gold and jewelery, and set it in the river. The boy was found and adopted by the suta Adhiratha, and became known as Karna.”

Kunti character from Indian epic Mahabharata

Source: The End Of An Epoch, p. 12.

“Karna inclined his beautiful head and listened. She told him of a young woman who had been granted a boon. A secret mantra that she could use to choose a lover from among the gods. Of how, with the imprudence of youth, the woman decided to test it to see if it really worked. How she stood alone in an empty field, turned her face to the heavens and recited the mantra. The words had scarcely left her foolish lips, when Surya, the God of Day, appeared before her. The young woman, bewitched by the beauty of the shimmering young god, gave herself to him. Nine months later she bore him a son. The baby was born sheathed in light, with gold earrings in his ears and a gold breastplate on his chest, engraved with the emblem of the sun. The young mother loved her first-born son deeply, but she was unmarried and couldn't keep him. She put him in a reed basket and cast him away in a river. The child was found downriver by Adhiratha, a charioteer. And named Karna.”

Kunti character from Indian epic Mahabharata

Kunti in p. 232.
The God of Small Things

“Hail the heavenly Prince of Peace!
Hail the Sun of Righteousness!
Light and life to all he brings,
Risen with healing in his wings.
Mild he lays his glory by,
Born that man no more may die,
Born to raise the sons of earth,
Born to give them second birth.”

Charles Wesley (1707–1788) English Methodist and hymn writer

"Hymn for Christmas-Day"
Hymns and Sacred Poems (1739)

“He knelt him down on the new-raised mound,
His face was bowed on the cold damp ground,
He raised his head, his tears were done,
The father had prayed o'er his only son!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Soldier's Funeral from The London Literary Gazette (16th November 1822)
The Improvisatrice (1824)

“He had risked his life and now it was walking away from him, hand-in-hand with a Ruffian prince.”

William Goldman book The Princess Bride

Source: The Princess Bride

“Anyone who cannot come to terms with his life while he is alive needs one hand to ward off a little his despair over his fate — he has little success in this — but with his other hand he can note down what he sees among the ruins, for he sees different (and more) things than do the others; after all, dead as he is in his own lifetime, he is the real survivor. This assumes that he does not need both hands, or more hands than he has, in his struggle against despair.”

Franz Kafka (1883–1924) author

19 October 1921
The Diaries of Franz Kafka 1910-1923 (1948)

“The ancient Greeks and Romans tell of a golden age in the past…. Our Messiah alone belongs to the future. He still has to make his appearance, and not solely for the benefit of his own people. The whole world must be judged and redeemed.”

Isaac Leib Peretz (1852–1915) Yiddish language author and playwright

Der Dichter, 1910. Alle Verk, x. 11; S. Liptzin. Peretz. Yivo, 1947, p. 310.

“He is Karna, whom the world has abandoned…. A prince raised in poverty. Born to die unfairly, unarmed and alone at the hands of his brother. Majestic in his complete despair. Praying on the banks of the Ganga…. Then Kunti appeared…. She had come to tell Karna a story.”

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