
written in her Journal, 1905
Quote of Werefkin's Journal, 1905; in Briefe an einen Unbekannten, ed. Clemens Weiler, Cologne: Verlag M. DuMont, 1960, p. 50
1895 - 1905
Source: 1890s - 1910s, The Writings of a Savage (1996), p. xxvii: Quote from Le Sourire (Tahiti, August 1899)
written in her Journal, 1905
Quote of Werefkin's Journal, 1905; in Briefe an einen Unbekannten, ed. Clemens Weiler, Cologne: Verlag M. DuMont, 1960, p. 50
1895 - 1905
“I am aware, that I am a woman, and I enjoy being a woman.”
On embodying every one of her characters in “Pulitzer Prize Winner Suzan-Lori Parks Questions ‘Woke-ness’ With Her Latest Off-Broadway Play” http://www.playbill.com/article/pulitzer-prize-winner-suzan-lori-parks-questions-woke-ness-with-her-latest-off-broadway-play in Playbill (2019 Mar 1)
Notes Toward a Supreme Fiction (1942), It Must Change
Context: I am the spouse. She took her necklace off
And laid it in the sand. As I am, I am
The spouse. She opened her stone-studded belt. I am the spouse, divested of bright gold,
The spouse beyond emerald or amethyst,
Beyond the burning body that I bear. I am the woman stripped more nakedly
Than nakedness, standing before an inflexible
Order, saying I am the contemplated spouse.
The Serpent, in Pt. I, Act I
1920s, Back to Methuselah (1921)
“I am not a fool, you know, although I am a woman, and have my woman’s moments.”
Source: Far from the Madding Crowd