Clive Staples Lewis book Mere Christianity
Book I, Chapter 1, "The Law of Human Nature"
Mere Christianity (1952)
“A Night of the High Season” http://www.schulzian.net/translation/shops/night.htm <br class="br">His father, Time
Clive Staples Lewis book Mere Christianity
Book I, Chapter 1, "The Law of Human Nature"
Mere Christianity (1952)
Lawrence Kudlow (1947) American economist
Article entitled "The Recession Debate Is Over" https://www.nationalreview.com/kudlows-money-politics/recession-debate-over-larry-kudlow/ published in National Review magazine, December 5, 2007.
Ford Madox Ford book The Good Soldier
Part One, Ch. I (p. 7)
Source: The Good Soldier (1915)
Context: No, by God, it is false! It wasn't a minuet that we stepped; it was a prison — a prison full of screaming hysterics, tied down so that they might not outsound the rolling of our carriage wheels as we went along the shaded avenues of the Taunus Wald.
And yet I swear by the sacred name of my creator that it was true. It was true sunshine; the true music; the true splash of the fountains from the mouth of stone dolphins. For, if for me we were four people with the same tastes, with the same desires, acting — or, no, not acting — sitting here and there unanimously, isn't that the truth? If for nine years I have possessed a goodly apple that is rotten at the core and discover its rottenness only in nine years and six months less four days, isn't it true to say that for nine years I possessed a goodly apple?
Mervyn Peake (1911–1968) English writer, artist, poet and illustrator
Source: Gormenghast (1950), Chapter 51, section 5 (p. 667)
Olaf Stapledon book Star Maker
Preface (p. 3)
Star Maker (1937)
James Hamilton (1814–1867) Scottish minister and a prolific author of religious tracts
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 526.
A.R. Ammons (1926–2001) American poet
Paris Review interview (1996)
Context: I’ve always been highly energized and have written poems in spurts. From the god-given first line right through the poem. And I don’t write two or three lines and then come back the next day and write two or three more; I write the whole poem at one sitting and then come back to it from time to time over the months or years and rework it.