Part I. Introduction. 1. The Musical Language of the Late Eighteenth Century
Classical Style: Haydn, Mozart, Beethoven (Expanded edition, 1997)
“It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.”
Page 46; from the Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)
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Sergei Prokofiev 7
Ukrainian & Russian Soviet pianist and composer 1891–1953Related quotes
Part II. The Classical Style. 1. The Coherence of the Musical Language
Classical Style: Haydn, Mozart, Beethoven (Expanded edition, 1997)

Answering why he wrote an independent scripting language for Gambas. Quoted from FOSDEM interview, " http://www.madeasy.de/7/benoit.htm http://www.madeasy.de/7/benoit.htm" Mad Easy (2005-02-14)

“The very day I purchased it,
I christened my guitar
as my monophonic symphony,
six string orchestra.”
Six String Orchestra
Song lyrics, Verities & Balderdash (1974)

“We were writing little symphonies for the kids.”
Pop Chronicles Interviews #107 - Phil Spector, Part 3 https://digital.library.unt.edu/ark:/67531/metadc1752029/m1/, August 1, 1968.

Ich besitze von ihm eine seiner Sinfonien, die ich zur Erinnerung an eines der größten Genies, die ich gekannt habe, aufbewahre. Ich habe von ihm nur dieses einzige Werk, weiß aber, dass er noch anderes Vortreffliches geschrieben hat.

In conversation with Flora Litvinova, 1970; cited from Elizabeth Wilson Shostakovich: A Life Remembered (1994) pp. 425-6.