“Or indeed we may say again, it is in what I called Portrait-painting, delineating of men and things, especially of men, that Shakspeare is great. All the greatness of the man comes out decisively here. It is unexampled, I think, that calm creative perspicacity of Shakspeare. The thing he looks at reveals not this or that face of it, but its inmost heart and generic secret: it dissolves itself as in light before him, so that he discerns the perfect structure of it. Creative, we said: poetic creation, what is this too but seeing the thing sufficiently? The word that will describe the thing, follows of itself from such clear intense sight of the thing. And is not Shakspeare's morality, his valour, candour, tolerance, truthfulness; his whole victorious strength and greatness, which can triumph over such obstructions, visible there too? Great as the world!”

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

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Thomas Carlyle481

Scottish philosopher, satirical writer, essayist, historian… 1795–1881

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“The built house seems all so fit,- everyway as it should be, as if it came there by its own law and the nature of things,- we forget the rude disorderly quarry it was shaped from. The very perfection of the house, as if Nature herself had made it, hides the builder's merit. Perfect, more perfect than any other man, we may call Shakspeare in this: he discerns, knows as by instinct, what condition he works under, what his materials are, what his own force and its relation to them is. It is not a transitory glance of insight that will suffice; it is deliberate illumination of the whole matter; it is a calmly seeing eye; a great intellect, in short. How a man, of some wide thing that he has witnessed, will construct a narrative, what kind of picture and delineation he will give of it,- is the best measure you could get of what intellect is in the man. Which circumstance is vital and shall stand prominent; which unessential, fit to be suppressed; where is the true beginning, the true sequence and ending? To find out this, you task the whole force of insight that is in the man. He must understand the thing; according to the depth of his understanding, will the fitness of his answer be.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

“As we look into a clear pool and discern every detail of its sandy bottom, so may we often look into the minds of really great men.”

Robert Hunter (author) (1874–1942) American sociologist, author, golf course architect

Source: Why We Fail as Christians (1919), p. 6

“It is a greatness not of mere body and gigantic bulk, but a rude greatness of soul. There is a sublime uncomplaining melancholy traceable in these old hearts. A great free glance into the very deeps of thought. They seem to have seen, these brave old Northmen, what Meditation has taught all men in all ages, That this world is after all but a show,—a phenomenon or appearance, no real thing. All deep souls see into that,—the Hindoo Mythologist, the German Philosopher,—the Shakspeare, the earnest Thinker, wherever he may be.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Divinity

“It is the easiest thing in the world for a man to look as if he had a great secret in him.”

Herman Melville book Moby-Dick

Source: Moby-Dick

“Of this Shakspeare of ours, perhaps the opinion one sometimes hears a little idolatrously expressed is, in fact, the right one; I think the best judgement not of this country only, but of Europe at large, is slowly pointing to the conclusion, That Shakspeare is the chief of all Poets hitherto; the greatest intellect who, in our recorded world, has left record of himself in the way of Literature. On the whole, I know not such a power of vision, such a faculty of thought, if we take all the characters of it, in any other man. Such a calmness of depth; placid joyous strength; all things imaged in that great soul of his so true and clear, as in a tranquil unfathomable sea!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

“Shakespeare is the Spinosistic deity — an omnipresent creativeness. Milton is the deity of prescience; he stands ab extra, and drives a fiery chariot and four, making the horses feel the iron curb which holds them in. Shakspeare's poetry is characterless; that is, it does not reflect the individual Shakspeare; but John Milton himself is in every line of the Paradise Lost. Shakspeare's rhymed verses are excessively condensed, — epigrams with the point every where; but in his blank dramatic verse he is diffused, with a linked sweetness long drawn out.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

12 May 1830
Table Talk (1821–1834)

“One of the marvelous things about him is that he is strong enough to force the men who dislike him the most to stand by him. By far he is the strongest man before the people to-day except Roosevelt. I think his greatest fault is his failure to accord credit to anyone for what he may have done. This is a great weakness in any man. I think it was one of the strongest things about Roosevelt. He never tried to minimize what other people did and often exaggerated it.”

William Howard Taft (1857–1930) American politician, 27th President of the United States (in office from 1909 to 1913)

On Charles Evans Hughes, in November 1909, as quoted in Taft and Roosevelt : The intimate letters of Archie Butt (1930) by Archibald Willingham Butt, p. 224; this has sometimes been paraphrased: "Failure to accord credit to anyone for what he may have done is a great weakness in any man."

“Thomas Eakins was a man of great character. He was a man of iron will and his will to paint and to carry out his life as he thought it should go. This he did. It cost him heavily but in his works we have the precious result of his independence, his generous heart and his big mind. Eakins was a deep student of life, and with a great love he studied humanity frankly. He was not afraid of what his study revealed to him.”

Thomas Eakins (1844–1916) American painter

Robert Henri, open letter to the Art Students League, (1917-10-29).

“It is truly a lordly spectacle how this great soul takes in all kinds of men and objects, a Falstaff, an Othello, a Juliet, a Coriolanus; sets them all forth to us in their round completeness; loving, just, the equal brother of all. Novum Organum, and all the intellect you will find in Bacon, is of a quite secondary order; earthy, material, poor in comparison with this. Among modern men, one finds, in strictness, almost nothing of the same rank. Goethe alone, since the days of Shakspeare, reminds me of it. Of him too you say that he saw the object; you may say what he himself says of Shakspeare: 'His characters are like watches with dial-plates of transparent crystal; they show you the hour like others, and the inward mechanism also is all visible.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

“I know that you are looking for the Blue Bird, that is to say, the great secret of things and of happiness, so that Man may make our servitude still harder.”

Maurice Maeterlinck The Blue Bird

The Oak
The Blue Bird (1908)
Context: I know that you are looking for the Blue Bird, that is to say, the great secret of things and of happiness, so that Man may make our servitude still harder. … I do not hear the Animals... Where are they?... All this concerns them as much as us... We, the Trees, must not assume the responsibility alone for the grave measures that have become necessary... On the day when Man hears that we have done what we are about to do, there will be terrible reprisals... It is right, therefore, that our agreement should be unanimous, so that our silence may be the same...

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Thomas Carlyle481

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