Vernon Scannell (1922–2007) British boxer and poet
A Proper Gentleman, 1977
As quoted in Conversations of Lord Byron with Thomas Medwin (1832), Preface.
Vernon Scannell (1922–2007) British boxer and poet
A Proper Gentleman, 1977
Sarah Bernhardt (1844–1923) French actress
The Art of the Theatre (1925), p. 171
Context: Once the curtain is raised, the actor ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third. And to this end the actor must forget his personality and throw aside his joys and sorrows. He must present the public with the reality of a being who for him is only a fiction. With his own eyes, he must shed the tears of the other. With his own voice, he must groan the anguish of the other. His own heart beats as if it would burst, for it is the other's heart that beats in his heart. And when he retires from a tragic or dramatic scene, if he has properly rendered his character, he must be panting and exhausted.
“A poet who reads his verse in public may have other nasty habits.”
Robert A. Heinlein (1907–1988) American science fiction author
“Not every poet is a great reader of his own work.”
David Yezzi (1966) American poet
Interview with Ernest Hibert (2006)
Mary Abigail Dodge (1833–1896) American writer
Country Living and Country Thinking, Preface, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
“If it's in the bin, it's public property.”
Sophie Kinsella book I've Got Your Number
Source: I've Got Your Number
Honoré de Balzac (1799–1850) French writer
Tuer un parent de qui l’on se plaint, c’est quelque chose; mais hériter de lui, c’est là un plaisir! <br class="br"> cousin Pons http://fr.wikisource.org/wiki/Le_Cousin_Pons_-_5#XLVI._Consultation_non_gratuiteLe (1847), translated by Ellen Marriage, ch. XLVI.