“I wanted to see that grizzly fucker. I wanted to see him flower. I wanted to see him blossom under the fact of love. I wanted to see where the sonnets came from. They came from the same pen of despair that wrote Timon of Athens— I wanted to see that guy. I wanted to see that guy with the sensibilities of a man that could create a body of work that would last century after century. I wanted to see that… I wanted to play that character. I loved the script. I mean, it was an incredibly well observed script about actors. That's why I thought it was so cool.”

Source: Ever After

Bill Beacon (January 29, 2008) "Backstrom, Ovechkin combination promises bright future for Capitals", The Canadian Press.

The Abolition of Work (1985)
Context: What I really want to see is work turned into play. A first step is to discard the notions of a "job" and an "occupation." Even activities that already have some ludic content lose most of it by being reduced to jobs which certain people, and only those people, are forced to do to the exclusion of all else. Is it not odd that farm workers toil painfully in the fields while their airconditioned masters go home every weekend and putter about in their gardens? Under a system of permanent revelry, we will witness the Golden Age of the dilettante which will put the Renaissance to shame. There won't be any more jobs, just things to do and people to do them.

Source: Dangerous Angels

<p>¡Que no quiero verla!</p><p>Dile a la luna que venga,
que no quiero ver la sangre
de Ignacio sobre la arena.</p><p>¡Que no quiero verla!</p>
Llanto por Ignacio Sanchez Mejias (1935)

Man In Uniform
Song lyrics

Source: The Graveyard Book (2008), Ch. 8

Source: Lady Midnight