“[About Edith Stein] I see her groping, wonder-filled prayer, which in the beginning resembles a conversation she is conducting with herself and is very managed. It is half like a question she puts to herself without knowing exactly what she means; it may be that the step she takes does not need to be completed by her; the question does not need to be perfectly articulated; perhaps God would be able to intervene in the middle of her step, in order to make his presence known and answer her question in a much more profound way than she herself would have expected or even would have been capable of expecting. And God truly answers. She prays more and more and finally receives a victorious certainty and rejoices. From this moment of victorious certainty on, everything is perfectly simple and unambiguous. She will follow the path God shows to her; she belongs to him; she has rediscovered her childlike cheerfulness, which has increased and become clearly manifest through love and faith.”

— Adrienne von Speyr

Book of All Saints (1966)

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Adrienne von Speyr 24

Swiss doctor and mystic 1902–1967

José Luis Mollaghan (1946) Argentinian archbishop

Argentinean bishop: Rosary helps Catholics face difficulties of life https://www.catholicnewsagency.com/news/21189/argentinean-bishop-rosary-helps-catholics-face-difficulties-of-life (18 October 2010)

“She herself is a haunted house. She does not possess herself; her ancestors sometimes come and peer out of the windows of her eyes and that is very frightening.”

Angela Carter (1940–1992) English novelist

Source: The Bloody Chamber and Other Stories

“Occasionally, in the middle of a conversation her name would be mentioned, and she would run down the steps of a chance sentence, without turning her head.”

Vladimir Nabokov (1899–1977) Russian-American novelist, lepidopterist, professor

“She let out a laugh, and then she put her hand over her mouth, like she was angry at herself for forgetting her sadness.”

Jonathan Safran Foer book Extremely Loud and Incredibly Close

Source: Extremely Loud and Incredibly Close

“At least I can know the truth about what happens to me, she assured herself silently, making a promise to herself, in her hopefulness, her ignorance.”

Katherine Anne Porter (1890–1980) American journalist, essayist, short story writer, novelist, and political activist

"Old Mortality" in Pale Horse (1939)
Context: I don't want any promises, I won't have false hopes, I won't be romantic about myself. I can't live in their world any longer, she told herself, listening to the voices back of her. Let them tell their stories to each other. Let them go on explaining how things happened. I don't care. At least I can know the truth about what happens to me, she assured herself silently, making a promise to herself, in her hopefulness, her ignorance.

“She had promised him she would consider his question [of marrying him] […]. But this was not the case; she was wondering if she were not a cold, hard, priggish person, and, on her at last getting up and going rather quickly back to the house, felt, as she had said to her friend, really frightened at herself.”

Henry James book The Portrait of a Lady

Source: The Portrait of a Lady (1881), Ch. XII.

“A Woman in harmony with her spirit
is like a river flowing.
She goes where she will without pretense and arrives at her destination
prepared to be herself
and only herself”

Maya Angelou (1928–2014) American author and poet

“This is how she shows herself a woman indeed,
My lady, and I reproach her for it:
She does not want what one ought to want,
And what she is forbidden to do, she does.”

Bernart de Ventadorn troubador

Can vei la lauzeta mover, line 33; translation by Frederick Goldin, from Boris Ford (ed.) Medieval Literature: The European Inheritance (1983) p. 440.

“"But tell me how it is that she could be so beautiful without any heart at all — without any place even for a heart to live in." "I cannot quite tell," she said; "but I am sure she would not look so beautiful if she did not take means to make herself look more beautiful than she is. And then, you know, you began by being in love with her before you saw her beauty … But the chief thing that makes her beautiful is this: that, although she loves no man, she loves the love of any man; and when she finds one in her power, her desire to bewitch him and gain his love (not for the sake of his love either, but that she may be conscious anew of her own beauty, through the admiration he manifests), makes her very lovely—with a self-destructive beauty…"”

George MacDonald book Phantastes

On the Alder Tree
Phantastes (1858)

“Whatsoever [Love] does, whithersoever she turns her steps, Grace follows her unseen to order all aright.”
Illam, quidquid agit, quoquo vestigia movit,<br/>componit furtim subsequiturque Decor.

Tibullus (-50–-19 BC) poet and writer (0054-0019)

Illam, quidquid agit, quoquo vestigia movit,
componit furtim subsequiturque Decor.
Bk. 4, no. 2, line 7.
Tibullus' authorship of this poem is doubtful.
Elegies

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