
On Air With Ryan Seacrest http://ryanseacrest.com/2012/09/10/psy-explains-gangnam-style-dance-craze-to-ryan-seacrest-video/, September 10, 2012.
Gestern war Concert Spirituel. Die Symphonie von Haydn war allerliebst und die Exekution vorzüglich gut. Mlle Wendling und ein welscher Tenorist Giuliano wurden ausgepfiffen. Danner und ein andrer welscher Geiger Giuliani wurden allgemein beklatscht. Eine Symphonie concertante von den Gebrüdern und Söhnen Thonberg [Romberg] fand Beifall. Das Konzert auf dem Fagotte von Devienne so so.
Letter dated Paris, 3rd February 1785. To pater Roman Hofstetter in Amorbach, in: Irmgard Leux-Henschen, Joseph Martin Kraus in seinen Briefen, Stockholm 1978.
Letters
Gestern war Concert Spirituel. Die Symphonie von Haydn war allerliebst und die Exekution vorzüglich gut. Mlle Wendling und ein welscher Tenorist Giuliano wurden ausgepfiffen. Danner und ein andrer welscher Geiger Giuliani wurden allgemein beklatscht. Eine Symphonie concertante von den Gebrüdern und Söhnen Thonberg [Romberg] fand Beifall. Das Konzert auf dem Fagotte von Devienne so so.
Letters
On Air With Ryan Seacrest http://ryanseacrest.com/2012/09/10/psy-explains-gangnam-style-dance-craze-to-ryan-seacrest-video/, September 10, 2012.
Y Cymro, 12/11/1964
Source: http://owainowain.net/yllenor/yrysgrif/ysgrifaucynnar/ysgrifaucynnar.htm#Y%20DYSTIOLAETH%20BRYDEINIG Y Cymro, 12/11/1964; republished in Bara Brith
Dissenting, Kingsley Books, Inc. v. Brown, 354 U.S. 436, 447 (1957)
Judicial opinions
Source: A Treatise On Political Economy (Fourth Edition) (1832), Book I, On Production, Chapter III, p. 73
Newsweek September 2006 http://www.msnbc.msn.com/id/14870541/site/newsweek/?page=6
Source: The Social History of Art, Volume III. Rococo, Classicism and Romanticism, 1999, Chapter 2. The New Reading Public
Speech to the Eisteddfod in Wrexham (8 September 1888), quoted in A. W. Hutton and H. J. Cohen (eds.), The Speeches of The Right Hon. W. E. Gladstone on Home Rule, Criminal Law, Welsh and Irish Nationality, National Debt and the Queen's Reign. 1888–1891 (London: Methuen, 1902), p. 61.
1880s
Between Hell and Reason (1945)
Context: The world is what it is, which is to say, nothing much. This is what everyone learned yesterday, thanks to the formidable concert of opinion coming from radios, newspapers, and information agencies. Indeed we are told, in the midst of hundreds of enthusiastic commentaries, that any average city can be wiped out by a bomb the size of a football. American, English, and French newspapers are filled with eloquent essays on the future, the past, the inventors, the cost, the peaceful incentives, the military advantages, and even the life-of-its-own character of the atom bomb.
We can sum it up in one sentence: Our technical civilization has just reached its greatest level of savagery. We will have to choose, in the more or less near future, between collective suicide and the intelligent use of our scientific conquests.
Meanwhile we think there is something indecent in celebrating a discovery whose use has caused the most formidable rage of destruction ever known to man. What will it bring to a world already given over to all the convulsions of violence, incapable of any control, indifferent to justice and the simple happiness of men — a world where science devotes itself to organized murder? No one but the most unrelenting idealists would dare to wonder.