“He [Giovanni Ardini, Italian master-carver] opened up a new vista for me of the quality of form, light, and colour contained in the Mediterranean conception of carving.”

— Barbara Hepworth

Hepworth's quote in: 'Approach to Sculpture', The Studio, London, October 1946, Vol. CXXXII, no. 643, p. 97
Hepworth is here referring to Giovanni Ardini's remark that "marble changes colour under different people's hands"
1932 - 1946

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Barbara Hepworth 40

English sculptor 1903–1975

Flora Thompson (1876–1947) English author and poet

December Chapter The Peverel Papers - A yearbook of the countryside ed Julian Shuckburgh Century Hutchinson 1986
The Peverel Papers

“I have gained very great inspiration from the Cornish land- and seascape, the horizontal line of the sea and the quality of light and colour which reminds me of the Mediterranean light and colour which so excites one’s sense of form; and first and last there is the human figure which in the country becomes a free and moving part of a greater whole. This relationship between figure and landscape is vitally important to me. I cannot feel it in a city.”

Barbara Hepworth (1903–1975) English sculptor

Source: 1932 - 1946, The Studio 132:643', (1946), p. 280

“New knowledge is only useful in so far as it opens up new vistas for the imagination, and no more so than the old forms which the artist must understand only in order to reject.”

Patrick Swift (1927–1983) British artist

Nano Reid (1950)

“A chance remark by Ardini, an Italian master carver whom I met there [in Rome], that 'marble changes colour under different people's hands' made me decide immediately that it was not dominance which one had to attain over material, but an understanding, almost a kind of persuasion, and above all greater co-ordination between head and hand. This thought has recurred again and again ever since - and has developed my greatest interests; the reason why people both move differently and stand differently in direct response to changed surroundings; the unconscious grouping of people when they are working together, producing a spatial movement which approximates to the structure of spirals in shells or rhythms in crystal structure; the meaning of the spaces between forms, or the shape of the displacement of forms in space, which in themselves have a most precise significance. All these responses spring from a factual and tactile approach to the object.”

Barbara Hepworth (1903–1975) English sculptor

Extract from Barbara Hepworth: Carvings and Drawings, (from Chapter 1: The excitement of discovering the nature of carving, 1903-1930), with an introduction by Herbert Read, London, 1952
1947 - 1960

“The sculptor carves because he must. He needs the concrete form of stone and wood for the expression of his idea and experience, and when the idea forms the material is found at once. …. I have always preferred direct carving to modelling because I like the resistance of the hard material and feel happier working that way. Carving is more adapted to the expression of the accumulative idea of experience and clay to the visual attitude. An idea for carving must be clearly formed before starting and sustained during the long process of working; also, there are all the beauties of several hundreds of different stones and woods, and the idea must be in harmony with the qualities of each one carved; that harmony comes with the discovery of the most direct way of carving each material according to its nature.”

Barbara Hepworth (1903–1975) English sculptor

quote from an extract of 'Barbara Hepworth – the Sculptor carves because he must, The Studio, London, vol. 104, December 1932, p. 332
1932 - 1946

“We have seven colours — violet, indigo, blue, green, yellow, orange and red (Roy G. Biv). Our atmosphere has a number of particles and when light falls on them, it gets scattered. With blue colour having less wavelength and more scattering qualities, it scatters and makes the sky blue. While red colour has opposite qualities than blue so traffic lights are of this colour.”

Jayant Narlikar (1938) Indian physicist

His observations on the "strange events in our solar system" and as to why the sky looked blue and red colour was used in traffic lights to signal to vehicles to stop.
When Prof Jayant Narlikar saw the sun rise in the west