“It is also the becoming-space of the spoken chain - which has been called temporal or linear; a becoming-space which makes possible both writing and every correspondence between speech and writing, every passage from one to the other.
The activity or productivity connoted by the a of différance refers to the generative movement in the play of differences. The latter are neither fallen from the sky nor inscribed once and for all in a closed system, a static structure that a synchronic and taxonomic operation could exhaust. Differences are the effects of transformations, and from this vantage the theme of différance is incompatible with the static, synchronic, taxonomic, ahistoric motifs in the concept of structure.”

— Jacques Derrida , book Positions

Source: Positions (1982), p. 28

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Jacques Derrida 58

French philosopher (1930-2004) 1930–2004

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“1) Différance is the systematic play of differences, of the traces of differences, of the spacing by means of which elements are related to each other. This spacing is the simultaneously active and passive (the a of différance indicates this indecision as concerns activity and passivity, that which cannot be governed by or distributed between the terms of this opposition) production of the intervals without which the "full" terms would not signify, would not function.”

Jacques Derrida book Positions

Source: Positions (1982), p. 21

“2) "the a of différance also recalls that spacing is temporization, the detour and postponement by means of which intuition, perception, consummation - in a word, the relationship to the present, the reference to a present reality, to a being - are always deferred. Deferred by virtue of the very principle of difference which holds that an element functions and signifies, takes on or conveys meaning, only by referring to another past or future element in an economy of traces. This economic aspect of différance, which brings into play a certain not conscious calculation in a field of forces, is inseparable from the more narrowly semiotic aspect of différance.”

Jacques Derrida book Positions

Source: Positions (1982), p. 28

“At the point at which the concept of différance, and the chain attached to it, intervenes, all the conceptual oppositions of metaphysics (signifier/signified; sensible/intelligible; writing/speech; passivity/activity; etc.)- to the extent that they ultimately refer to the presence of something present (for example, in the form of the identity of the subject who is present for all his operations, present beneath every accident or event, self-present in its "living speech," in its enunciations, in the present objects and acts of its language, etc.)- become non pertinent. They all amount, at one moment or another, to a subordination of the movement of différance in favor of the presence of a value or a meaning supposedly antecedent to différance, more original than it, exceeding and governing it in the last analysis. This is still the presence of what we called above the "transcendental signified.”

Jacques Derrida book Positions

Source: Positions (1982), p. 29

“It is only by intuition that the infinite can be apprehended. But why is this? Why cannot the infinite be apprehended by concepts? To see this we must understand that the word "infinite," in the religious sense, has nothing at all to do with that sense of the word in which it is applied to space, time, and the number series. We may call this latter the mathematical infinite to distinguish it from the religious infinite. And it is the confusion between these two which misled us into the false trail of supposing that the infinity of God's mind refers to the amount of His knowledge and that the finitude of man's mind refers to his ignorance. The religious infinite, or in other words the infinity of God, means that than 'which there is no other. In this sense neither space nor time could be infinite, since space is an "other" to time, and time is an "other" to space.”

Walter Terence Stace (1886–1967) British civil servant, educator and philosopher.

p. 46-47.

“Traditionally, grammar has always been a grammar of written language: and it has always been a product grammar" ['Product' is here used as one term of the Hjelmslevian pair process/product. ] A process/product distinction is a relevant one for linguists because it corresponds to that between our experience of speech and our experience of writing: writing exists whereas speech happens.”

Michael Halliday (1925–2018) Australian linguist

Michael Halliday (1985, p. xxiii) cited in: David Brazil (1995) A Grammar of Speech. p. 10.
1970s and later

“We are product of neither nature nor nurture; we are a product of choice, because there is always a space between stimulus and response. As we wisely exercise our power to choose based on principles, the space will become larger.”

Stephen R. Covey book The 8th Habit: From Effectiveness to Greatness

Source: The 8th Habit : From Effectiveness to Greatness‎ (2004), p. 62

“The truth is that other systems of geometry are possible, yet after all, these other systems are not spaces but other methods of space measurements. There is one space only, though we may conceive of many different manifolds, which are contrivances or ideal constructions invented for the purpose of determining space.”

Paul Carus (1852–1919) American philosopher

Science, Vol. 18 (1903), p. 106, as reported in Memorabilia Mathematica; or, The Philomath's Quotation-Book https://archive.org/stream/memorabiliamathe00moriiala#page/81/mode/2up, (1914), by Robert Edouard Moritz, p. 352

“Neither space nor time has any existence outside the system of evolving relationships that comprises the universe. Physicists refer to this feature of general relativity as background independence.”

Lee Smolin book Three Roads to Quantum Gravity

Three Roads to Quantum Gravity (2000)

“Every such wet-nurse of letters has sought fatuously to make me write in a way differing from that in which the Lord God Almighty, in His infinite wisdom, impels me to write — that is, to make me write stuff which, coming from me, would be as false as an appearance of decency in a Congressman.”

H.L. Mencken (1880–1956) American journalist and writer

Source: 1920s, Prejudices, Third Series (1922), Ch. 3 "Footnote on Criticism", pp. 85-104
Context: Upon the low value of "constructive" criticism I can offer testimony out of my own experience. My books have been commonly reviewed at length, and many critics have devoted themselves to pointing out what they conceive to be my errors, both of fact and of taste. Well, I cannot recall a case in which any suggestion offered by a "constructive" critic has helped me in the slightest, or even actively interested me. Every such wet-nurse of letters has sought fatuously to make me write in a way differing from that in which the Lord God Almighty, in His infinite wisdom, impels me to write — that is, to make me write stuff which, coming from me, would be as false as an appearance of decency in a Congressman. All the benefits I have ever got from the critics of my work have come from the destructive variety. A hearty slating always does me good, particularly if it be well written. It begins by enlisting my professional respect; it ends by making me examine my ideas coldly in the privacy of my chamber. Not, of course, that I usually revise them, but I at least examine them. If I decide to hold fast to them, they are all the dearer to me thereafter, and I expound them with a new passion and plausibility. If, on the contrary, I discern holes in them, I shelve them in a pianissimo manner, and set about hatching new ones to take their place. But "constructive" criticism irritates me. I do not object to being denounced, but I can't abide being schoolmastered, especially by men I regard as imbeciles.

“The matter of color is more confusing. Not every property of a system can be stated as a definite spatio-temporal state of affairs. A system's tendency, for instance, to move from State A to State B, but not from State B to State A... a tendency like this is not any specific event which you can point to in space and time. These nonspecific properties correspond to overall gestalts in the Hilbert Space coloring. Alternating bands of red and green light might, for example, represent a particle which is moving from left to right but which has no specific location. A good mood could be a golden haze not tied to any particular cause.”

Rudy Rucker (1946) American mathematician, computer scientist, science fiction author and philosopher

Source: The Sex Sphere (1983), p. 134

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Jacques Derrida 58

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