“The school of art which Hulme started and Pound established.. diction, rhythm and metre were fully emancipated from formal artifice and the poet was free to act creatively under the laws of his own origination.”

—  Herbert Read

Form in Modern Poetry(1932)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The school of art which Hulme started and Pound established.. diction, rhythm and metre were fully emancipated from for…" by Herbert Read?
Herbert Read photo
Herbert Read42
English anarchist, poet, and critic of literature and art 1893–1968

Related quotes

Marjorie Boulton photo

“Rhythm includes metre, but metre is a relatively small part of rhythm.”

Marjorie Boulton (1924–2017) British writer

Anatomy of Poetry (1953)

Herbert Read photo

“The modern poet has no essential alliance with regular schemes of any sorts. He reserves the right to adapt his rhythm to his mood, to modulate his metre as he progresses. Far from seeking freedom and irresponsibility (implied by the unfortunate term free verse) he seeks a stricter discipline of exact concord of thought and feeling.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Collected Essays in Literary Criticism (1938)
Literary Quotes

“Metre is to rhythm as eye is to ear.”

John Hollander (1929–2013) American poet

'Vision and Resonance:Two senses of Poetic Form' OUP London 1975

“It is impossible for a poet to fashion the voice deliberately by contrivance and experiment; it could not be discovered or simulated through the cultivation of an eccentric diction or prosody, or by the employment of regional speech rhythms and patterns.”

Vernon Scannell (1922–2007) British boxer and poet

A Proper Gentleman, 1977

“Just as counterpoint and harmony follow their own laws, and differ in rhythm and movement, both formal tensions and color tensions have a development of their own in accordance with the inherent laws from which they are separately derived. Both, however, aim toward the realization of the same image. And both deal with the depth problem.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 45
Search for the Real and Other Essays (1948)

“The right creative act makes its own laws, and always will do.”

John Piper (artist) (1903–1992) English painter and printmaker (1903-1992)

Foreword to Enid Verity's 'Colour' Frewin 1967 ISBN 009079110X

Ovid photo

“So art lies hid by its own artifice.”

Ovid Metamorphoses

Book X, 252
Metamorphoses (Transformations)

Marcel Duchamp photo

“Consequently, in the chain of reactions accompanying the creative act, a link is missing. This gap which represents the inability of the artist to express fully his intention, this difference between what he intended to realize and did realize, is the personal 'art coefficient', contained in the work.”

Marcel Duchamp (1887–1968) French painter and sculptor

1951 - 1968, The Creative Act', 1957

Vanna Bonta photo

“Harmony, rhythm, concision, concinnity are all elements that are epitomized in poetry. Cultivated in poetry, which is the nucleus of the creative impulse, these elemetns serve every art form: acting a character, writing a novel, creating music, dance, sculpture, painting.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Degrees: Thought Capsules and Micro Tales (1989)

Louis Sullivan photo

“After the long night, and longer twilight, we envisage a dawn-era: an era in which the minor law of tradition shall yield to the greater law of creation, in which the spirit of repression shall fail to repress.
Man at last is become emancipated, and now is free to think, to feel, to act free to move toward the goal of the race.”

Louis Sullivan (1856–1924) American architect

Education (1902)
Context: After the long night, and longer twilight, we envisage a dawn-era: an era in which the minor law of tradition shall yield to the greater law of creation, in which the spirit of repression shall fail to repress.
Man at last is become emancipated, and now is free to think, to feel, to act free to move toward the goal of the race.
Humanitarianism slowly is dissolving the sway of utilitarianism, and an enlight- ened unselfishness is on its way to supersede a benighted rapacity. And all this, as a deep-down force in nature awakens to its strength, animating the growth and evolution of democracy.
Under the beneficent sway of this power, the hold of illusion and suppression is passing; the urge of reality is looming in force, extent and penetration, and the individual now is free to become a man, in the highest sense, if so he wills.

Related topics