Marshall McLuhan słynne cytaty
Źródło: Wybór pism, Warszawa 1975, s. 126, tłum. Karol Jakubowicz.
„Nowo powstała elektroniczna współzależność kształtuje świat na podobieństwo globalnej wioski.”
The new electronic interdependence recreates the world in the image of a global village. (ang.)
Źródło: Gutenberg Galaxy, 1962
„(…) przekaźnik jest przekazem.”
Źródło: Walery Pisarek, Słowa między ludźmi, Wydawnictwa Radia i Telewizji, Warszawa 1985, s. 14.
„Wychowywać to znaczy uczynić niewrażliwym na telewizję.”
Źródło: Nieprzyjemne prawdy. Aforyzmy naszych czasów, KAW, 1987, wybór i tłum. Henryk Zdanowski, s. 96.
Źródło: Walery Pisarek, Wstęp do nauki o komunikowaniu, Wydawnictwa Akademickie i Profesjonalne, Warszawa 2008, s. 77.
Marshall McLuhan: Cytaty po angielsku
“As Innis got more insight he abandoned any mere point of view in his presentation of knowledge.”
Źródło: The Gutenberg Galaxy (1962), p. 216; this paragraph was quoted as "context (0) - THE INNIS MODE" by John Brunner, the epigraph or first chapter in his novel Stand on Zanzibar (1968)
Kontekst: There is nothing willful or arbitrary about the Innis mode of expression. Were it to be translated into perspective prose, it would not only require huge space, but the insight into the modes of interplay among forms of organisation would also be lost. Innis sacrificed point of view and prestige to his sense of the urgent need for insight. A point of view can be a dangerous luxury when substituted for insight and understanding. As Innis got more insight he abandoned any mere point of view in his presentation of knowledge. When he interrelates the development of the steam press with 'the consolidation of the vernaculars' and the rise of nationalism and revolution he is not reporting anybody's point of view, least of all his own. He is setting up a mosaic configuration or galaxy for insight … Innis makes no effort to "spell out" the interrelations between the components in his galaxy. He offers no consumer packages in his later work, but only do-it-yourself kits...
“Every society honors its live conformists and its dead troublemakers.”
The Complete Neurotic's Notebook (1981), Unclassified
Źródło: War and Peace in the Global Village
1960s, Understanding Media (1964)
Źródło: Understanding Media: The Extensions of Man
“Art is whatever you can get away with.”
1960s, The Medium is the Message (1967)
Źródło: Understanding Media: The Extensions of Man
“We look at the present through a rear-view mirror. We march backwards into the future.”
1960s, The Medium is the Message (1967)
Źródło: Take Today: The Executive as Dropout
The Medium is the Message (1967), A chapter sub-heading attributed by McLuhan to Alfred North Whitehead
“All words, in every language, are metaphors.”
Źródło: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 120
“Ads are the cave art of the twentieth century.”
quoted in Advertising Age, Sep. 3, 1976
1970s
Wariant: Advertising is the greatest art form of the twentieth century
Kontekst: Advertising is the greatest art form of the twentieth century.
Źródło: 1960s, The Medium is the Message (1967), p. 26
Źródło: The Medium is the Massage
Źródło: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 352
“The bible belt is oral territory and therefore despised by the literati.”
The Critic, Volume 33, Thomas More Association, 1974, p. 12
1970s
Źródło: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 98