Marshall McLuhan słynne cytaty
Źródło: Wybór pism, Warszawa 1975, s. 126, tłum. Karol Jakubowicz.
„Nowo powstała elektroniczna współzależność kształtuje świat na podobieństwo globalnej wioski.”
The new electronic interdependence recreates the world in the image of a global village. (ang.)
Źródło: Gutenberg Galaxy, 1962
„(…) przekaźnik jest przekazem.”
Źródło: Walery Pisarek, Słowa między ludźmi, Wydawnictwa Radia i Telewizji, Warszawa 1985, s. 14.
„Wychowywać to znaczy uczynić niewrażliwym na telewizję.”
Źródło: Nieprzyjemne prawdy. Aforyzmy naszych czasów, KAW, 1987, wybór i tłum. Henryk Zdanowski, s. 96.
Źródło: Walery Pisarek, Wstęp do nauki o komunikowaniu, Wydawnictwa Akademickie i Profesjonalne, Warszawa 2008, s. 77.
Marshall McLuhan: Cytaty po angielsku
1990s and beyond, The Book of Probes : Marshall McLuhan (2011)
Źródło: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 362
Źródło: 1960s, The Gutenberg Galaxy (1962), p. 56
“Acoustic space is totally discontinuous, like touch. It is a sphere without centers or margins.”
1970s, Culture Is Our Business (1970)
Źródło: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 40
“With TV, came the icon, the inclusive image, the inclusive political posture or stance.”
Źródło: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 191
Źródło: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 23
1990s and beyond, The Book of Probes : Marshall McLuhan (2011)
Źródło: 1960s, The Gutenberg Galaxy (1962), p. 47
Źródło: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 298
Źródło: 1960s, The Gutenberg Galaxy (1962), p. 216; McLuhan here quotes "Minerva's Owl" (1947), by Innis, an address to the Royal Society of Canada, published in The Bias of Communication (1951)
Źródło: 1950s, The Mechanical Bride (1951), p. 85; "Magic that Changes Mood")
Brand, Stewart. "McLuhan's last words". New Scientist, 29 Jan 1981.
1980s
Źródło: 1960s, Understanding Media (1964), p. 31
“The specialist is one who never makes small mistakes while moving towards the grand fallacy.”
Źródło: 1960s, Understanding Media (1964), p. 154
Źródło: 1960s, The Gutenberg Galaxy (1962), p. 161
Źródło: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 303
Marshall McLuhan: the man and his message, edited by George Sanderson and Frank MacDonald, Fulcrum, 1989, p. 32
1980s and later
Źródło: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 102
“New media are new archetypes, at first disguised as degradations of older media.”
Arts in society, Volume 3, 1964, p. 240
1960s
Źródło: 1960s, The Gutenberg Galaxy (1962), p. 18
“All media exists to invest our lives with artificial perception and arbitrary values.”
Źródło: 1960s, Understanding Media (1964), p. 199
Źródło: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 34
Źródło: 1960s, The Gutenberg Galaxy (1962), p. 180
“Relativity theory forced the abandonment, in principle, of absolute space and absolute time.”
Źródło: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 43