Erich Auerbach cytaty

Erich Auerbach – niemiecko-żydowski filolog, komparatysta i krytyk literacki, najszerzej znany jako autor książki Mimesis, dogłębnego studium zjawiska mimetyzmu w literaturze Zachodu.

Auerbach, wykształcony w duchu tradycyjnej filologii niemieckiej, stał się ostatecznie – wraz z Leo Spitzerem – jednym z najwybitniejszych przedstawicieli tej szkoły. Doktorat uzyskał w 1921 na Uniwersytecie w Greifswaldzie wkrótce po zakończeniu I wojny światowej, w której brał czynny udział jako żołnierz. W 1929 został członkiem wydziału filologicznego Uniwersytetu w Marburgu, publikując studium Dante jako poeta świata ziemskiego. Utracił stanowisko w 1935, stając się ofiarą represji systemu narodowosocjalistycznego. Zmuszony do opuszczenia Niemiec, osiadł w Stambule, gdzie napisał Mimesis – Rzeczywistość przedstawioną w literaturze Zachodu, dzieło do dziś uznawane za klasyczną pozycję dwudziestowiecznej nauki o literaturze.

W 1947 przeniósł się do Stanów Zjednoczonych, gdzie najpierw otrzymał posadę wykładowcy na Uniwersytecie Stanu Pensylwania, później – w Institute for Advanced Study Uniwersytetu w Princeton. W 1950 został mianowany profesorem na wydziale filologii romańskiej Uniwersytetu Yale’a. Stanowisko to zajmował do śmierci. Wikipedia  

✵ 9. Listopad 1892 – 13. Październik 1957
Erich Auerbach: 7   Cytatów 0   Polubień

Erich Auerbach: Cytaty po angielsku

“The concept of God held by the Jews is less a cause than a symptom of their manner of comprehending and representing things”

Erich Auerbach Mimesis: The Representation of Reality in Western Literature

Źródło: Mimesis: The Representation of Reality in Western Literature (1946), p. 7
Kontekst: The genius of the Homeric style becomes even more apparent when it is compared with an equally ancient and equally epic style … God, in order to speak to Abraham, must come from somewhere, must enter the earthly realm from some unknown heights or depths. Whence does he come, whence does he call to Abraham? We are not told. He does not come, like Zeus or Poseidon, from the Aethiopians, where he has been enjoying a sacrificial feast. Nor are we told anything of his reasons for tempting Abraham so terribly. He has not, like Zeus, discussed them in set speeches with other gods gathered in council; nor have the deliberations in his own heart been presented to us; unexpected and mysterious, he enters the scene from some unknown height or depth and calls: Abraham! It will at once be said that this is to be explained by the particular concept of God which the Jews held and which was wholly different from that of the Greeks. True enough—but this constitutes no objection. For how is the Jewish concept of God to be explained? Even their earlier God of the desert was not fixed in form and content, and was alone; his lack of form, his lack of local habitation, his singleness, was in the end not only maintained but developed even further in competition with the comparatively far more manifest gods of the surrounding Near Eastern world. The concept of God held by the Jews is less a cause than a symptom of their manner of comprehending and representing things.

“In the Old Testament stories, … the sublime influence of God here reaches so deeply into the everyday that the two realms of the sublime and the everyday are not only actually unseparated but basically inseparable.”

Erich Auerbach Mimesis: The Representation of Reality in Western Literature

Źródło: Mimesis: The Representation of Reality in Western Literature (1946), p. 22

“The excursus upon the origin of Odysseus’ scar is not basically different from the many passages in which a newly introduced character, or even a newly appearing object or implement, though it be in the thick of a battle, is described as to its nature and origin; or in which, upon the appearance of a god, we are told where he last was, what he was doing there, and by what road he reached the scene; indeed, even the Homeric epithets seem to me in the final analysis to be traceable to the same need for an externalization of phenomena in terms perceptible to the senses. Here is the scar, which comes up in the course of the narrative; and Homer’s feeling simply will not permit him to see it appear out of the darkness of an unilluminated past; it must be set in full light, and with it a portion of the hero’s boyhood. … To be sure, the aesthetic effect thus produced was soon noticed and thereafter consciously sought; but the more original cause must have lain in the basic impulse of the Homeric style: to represent phenomena in a fully externalized form, visible and palpable in all their parts, and completely fixed in their spatial and temporal relations. Nor do psychological processes receive any other treatment: here too nothing must remain hidden and unexpressed. With the utmost fullness, with an orderliness which even passion does not disturb, Homer’s personages vent their inmost hearts in speech; what they do not say to others, they speak in their own minds, so that the reader is informed of it. Much that is terrible takes place in the Homeric poems, but it seldom takes place wordlessly: Polyphemus talks to Odysseus; Odysseus talks to the suitors when he begins to kill them; Hector and Achilles talk at length, before battle and after; and no speech is so filled with anger or scorn that the particles which express logical and grammatical connections are lacking or out of place.”

Erich Auerbach Mimesis: The Representation of Reality in Western Literature

Źródło: Mimesis: The Representation of Reality in Western Literature (1946), p. 5

Podobni autorzy

Erwin Rommel Fotografia
Erwin Rommel 14
niemiecki generał
Thomas Mann Fotografia
Thomas Mann 57
prozaik niemiecki, noblista
Ernst Jünger Fotografia
Ernst Jünger 54
pisarz niemiecki
Róża Luksemburg Fotografia
Róża Luksemburg 24
niemiecka polityk
Erich Maria Remarque Fotografia
Erich Maria Remarque 84
pisarz niemiecki
Lion Feuchtwanger Fotografia
Lion Feuchtwanger 4
niemiecki pisarz
Werner Heisenberg Fotografia
Werner Heisenberg 9
fizyk niemiecki
Dietrich Bonhoeffer Fotografia
Dietrich Bonhoeffer 12
niemiecki duchowny protestancki, antyfaszysta
Christian Morgenstern Fotografia
Christian Morgenstern 6
poeta i pisarz niemiecki
John Ronald Reuel Tolkien Fotografia
John Ronald Reuel Tolkien 22
angielski filolog-germanista, filozof chrześcijański, pisarz