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Bai Juyi cytaty

Bai Juyi lub Bo Juyi – chiński poeta z czasów dynastii Tang, autor prawie 3000 utworów.

W wieku 28 lat zdał egzaminy urzędnicze i rozpoczął pracę w cesarskiej bibliotece; w roku 807 został członkiem Akademii Hanlin. Na skutek intryg dworskich został w 814 roku złożony z zajmowanych urzędów i skazany na banicję do Jiujiangu. Powrócił do służby na dworze w 818 roku, obejmując stanowisko namiestnika Zhongzhou. W późniejszym okresie był także namiestnikiem Hangzhou i Suzhou , a od 829 do przejścia na emeryturę w 842 roku prefektem Luoyangu.

Według Bai Juyi poezja powinna odnosić się do rzeczywistości, a nie opisywać fikcyjne wydarzenia i miejsca. Nade wszystko powinna pełnić cele dydaktyczne. W swoich utworach opisywał życie społeczne czasów w których żył, ukazując często niewygody codziennej egzystencji i ciężkie położenie najuboższych warstw.

Bai praktykował buddyzm chan, jego nauczycielem był Foguang Ruman. Wikipedia  

✵ 28. Luty 772 – 23. Wrzesień 846
Bai Juyi Fotografia
Bai Juyi: 13   Cytatów 0   Polubień

Bai Juyi cytaty

„Na moje proste wiersze wypisane na ścianie
Nikt nie zwraca uwagi,
Plamią je ptaki, ginie poezja
Mchem na poły pokryta.
Jedynie cenzor cesarski Jüang,
Co umie dać się we znaki,
Nie żałuje swej pięknie haftowanej suknie,
Pył ściera z uwagą, czyta.”

Bai Juyi

Źródło: Wiersze na ścianie, „Życie Literackie” nr 17, 28 kwietnia 1957, s. 12 http://mbc.malopolska.pl/dlibra/doccontent?id=14860, tłum. Władysław Dulęba

O życiu , O ptakach , O czytaniu

Bai Juyi: Cytaty po angielsku

“…That we wished to fly in heaven, two birds with the wings of one,
And to grow together on the earth, two branches of one tree.
Earth endures, heaven endures; some time both shall end,
While this unending sorrow goes on and on for ever.”

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Bai Juyi

在天願作比翼鳥
在地願為連理枝
天長地久有時盡
此恨綿綿無絶期
The last four lines.
"A Song of Unending Sorrow"

“And, because she so illumined and glorified her clan,
She brought to every father, every mother through the empire,
Happiness when a girl was born rather than a boy.”

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Bai Juyi

可憐光彩生門戸
遂令天下父母心
不重生男重生女
"A Song of Unending Sorrow"

“… by virtue of what right
Have I never once tended field or tree?
My government-pay is three hundred tons;
At the year's end I have still grain in hand.
Thinking of this, secretly I grew ashamed.”

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Bai Juyi

"Watching the Reapers" (A.D. 806)
Arthur Waley's translations

“Friends on pipa, poetry and drinking all of them cast me away. When I see the snow, the moon or blossoms, I long for you deeply.”

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Bai Juyi

「寄殷律協」[citation needed]
Unsourced

“I lay my harp on the curved table,
Sitting there idly, filled only with emotions.
Why should I trouble to play?
A breeze will come and sweep the strings.”

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Bai Juyi

"The Harp", in The White Pony: An Anthology Of Chinese Poetry (1949), ed. Robert Payne, p. 220

“I was born in the Realms of Etiquette;
In early years, unprotected and poor.
Alone, I learnt to distinguish between Evil and Good;
Untutored, I toiled at bitter tasks.
The World's Law honours Learning and Fame;
Scholars prize marriages and Caps.
With these fetters I gyved my own hands;
Truly I became a much-deceived man.
At ten years old I learnt to read books;
At fifteen, I knew how to write prose.
At twenty I was made a Bachelor of Arts;
At thirty I became a Censor at the Court.
Above, the duty I owe to Prince and parents;
Below, the ties that bind me to wife and child.
The support of my family, the service of my country—
For these tasks my nature is not apt.”

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Bai Juyi

"Chu Ch'ēn Village" (A.D. 811)
Arthur Waley's translations

“[Bai Juyi] utilized Confucianism to order his conduct, utilized Buddhism to cleanse his mind, and then utilized history, paintings, mountains, rivers, wine, music and song to soothe his spirit.”

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Bai Juyi

Composition for his own tomb inscription, as quoted in Lin Yutang's The Importance of Living (1940), p. 411

“In the depth of the night not daring to let any one know
I secretly took a huge stone and dashed it against my arm.
For drawing the bow and waving the banner now wholly unfit;
I knew henceforward I should not be sent to fight in Yün-nan.
Bones broken and sinews wounded could not fail to hurt;
I was ready enough to bear pain, if only I got back home.
My arm—broken ever since; it was sixty years ago.
One limb, although destroyed,—whole body safe!
But even now on winter nights when the wind and rain blow
From evening on till day's dawn I cannot sleep for pain.
Not sleeping for pain
Is a small thing to bear,
Compared with the joy of being alive…”

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Bai Juyi

"The Old Man with the Broken Arm" (a satire on militarism)
Arthur Waley's translations

“For ten years I never left my books;
I went up … and won unmerited praise.
My high place I do not much prize;
The joy of my parents will first make me proud.”

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Bai Juyi

"After Passing the Examination" (A.D. 800)
Arthur Waley's translations

“…It was early spring. They bathed her in the Flower-Pure Pool,
Which warmed and smoothed the creamy-tinted crystal of her skin”

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Bai Juyi

春寒賜浴華清池
温泉水滑洗凝脂
"A Song of Unending Sorrow"

“When the Seasons' changes thus confront the mind
What comfort can the Doctrine of Tao give?
It will teach me to watch the days and months fly
Without grieving that Youth slips away;
If the Fleeting World is but a long dream,
It does not matter whether one is young or old.”

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Bai Juyi

"At the End of Spring" (A.D. 810)
Arthur Waley's translations

“I remember, when I was young,
How easily my mood changed from sad to gay.
… But now that age comes,
A moment of joy is harder and harder to get.”

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Bai Juyi

"The Chrysanthemums in the Eastern Garden" (A.D. 812)
Arthur Waley's translations