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Alfred Freddy Krupa cytaty

Alfred Freddy Krupa – chorwacki współczesny malarz, posiadający polskie korzenie. Jest uważany za pionierską siłę w ruchu New Ink Art, za który zyskał międzynarodowe uznanie. Wikipedia  

✵ 14. Czerwiec 1971
Alfred Freddy Krupa Fotografia
Alfred Freddy Krupa: 3 cytaty0 Polubień

Alfred Freddy Krupa: Cytaty po angielsku

“They are shaman-artists who constantly strive to look into the blueprint of creation beyond the visual crowd and the noise of superficial details, the one on task to explore and communicate with a primary game of opposite values during composition and construction of a coherent imagery. They paint from both levels, the personal and the intimate and the universal one which emerges from life-giving tension. Every Ink image, every Sumi-e painting, is a unique crossroad of oppositions, of directions, of intentions. They are all constant reminders of the duality of creation and the accuracy of the equation where two equals one.”

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Alfred Freddy Krupa

2010s

“I think success is when you are confronted with utter defeat of your world, your intimacy, your ideas, your public picture, your heritage, your previous achievements. When in one moment it looks like there is one, and nothing that helps you. When almost every look is also a look of doubt, when you yourself put everything under the question mark. When all the illusions about yourself fall, illusions about your surroundings, about people, about faith and religion, about flags, about objects of love and how much are you in love…and then, in that moment of personal and private holocaust, of that ocean of pain looking like all inner strength faded away, and there is no right for excuses about your existence. When at that moment you rise and keep moving forward, you start and you lead a creative and productive life. Yes, I think that is objective strength and power.”

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Alfred Freddy Krupa

Overcoming a Personal Holocaust, Alfred Freddy Krupa (in the article by Ante Vranković), Life As A Human (Canada), 2019
2010s

“Looking at, ie analyzing the so-called the visual elements of an image, we see the surface, the outer look of an artwork. All practical art education (the use of artistic elements, ie art grammar) is mainly focused on this surface analysis. Sometimes, through these elements, it tries to penetrate deep into the essence of the image, into what it initiated and created a work, into an experience (this is the primary task of theory, sociology, and art history). This is very difficult. There are works that undoubtedly suggest its depth and meaning, but there is, at least sometimes, the possibility of a mistake.”

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Alfred Freddy Krupa

Aquarelle - Experiences of a Practitioner, Alfred Freddy Krupa , MB-Tisak (Croatia), 1994
1990s

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