“Those who do not want to imitate anything, produce nothing.”

Last update June 3, 2021. History

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Salvador Dalí photo
Salvador Dalí 117
Spanish artist 1904–1989

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Book VII : Modern Times, Ch. IX : The Final Consequences
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Context: Penguinia gloried in its wealth. Those who produced the things necessary for life, wanted them; those who did not produce them had more than enough. "But these," as a member of the Institute said, "are necessary economic fatalities." The great Penguin people had no longer either traditions, intellectual culture, or arts. The progress of civilisation manifested itself among them by murderous industry, infamous speculation, and hideous luxury. Its capital assumed, as did all the great cities of the time, a cosmopolitan and financial character. An immense and regular ugliness reigned within it. The country enjoyed perfect tranquillity. It had reached its zenith.

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“Those who promise us paradise on earth never produced anything but a hell.”

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“Gender is a kind of imitation for which there is no original; in fact, it is a kind of imitation that produces the very notion of the original as an effect and consequence of the imitation itself.”

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“Society was cut in two: those who had nothing united in common envy; those who had anything united in common terror.”

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“The real damage is done by those millions who want to "survive." The honest men who just want to be left in peace. Those who don't want their little lives disturbed by anything bigger than themselves. Those with no sides and no causes.”

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As quoted in O<sub>2</sub> : Breathing New Life Into Faith (2008) by Richard Dahlstrom, Ch. 4 : Artisans of Hope: Stepping into God's Kingdom Story, p. 63; this source is disputed as it does not cite an original document for the quote. It is also used in <i> The White Rose </i> (1991) by Lillian Garrett-Groag, a monologue during Sophie's interrogation.
Disputed
Context: The real damage is done by those millions who want to "survive." The honest men who just want to be left in peace. Those who don't want their little lives disturbed by anything bigger than themselves. Those with no sides and no causes. Those who won't take measure of their own strength, for fear of antagonizing their own weakness. Those who don't like to make waves — or enemies. Those for whom freedom, honor, truth, and principles are only literature. Those who live small, mate small, die small. It's the reductionist approach to life: if you keep it small, you'll keep it under control. If you don't make any noise, the bogeyman won't find you. But it's all an illusion, because they die too, those people who roll up their spirits into tiny little balls so as to be safe. Safe?! From what? Life is always on the edge of death; narrow streets lead to the same place as wide avenues, and a little candle burns itself out just like a flaming torch does. I choose my own way to burn.

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“Do anything, but let it produce joy.”

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“Very touching. Do you want me to imitate a violin?”

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Variant: Very touching," said a voice from the stairway. "Do you want me to imitate a violin?" - Damon
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