“Art should be artless, not heartless.”
Mervyn Peake book Titus Alone
Source: Titus Alone (1959), Chapter 24 (p. 845)
“Art should be artless, not heartless.”
Mervyn Peake book Titus Alone
Source: Titus Alone (1959), Chapter 24 (p. 845)
Wilbur Wright (1867–1912) American aviation pioneer
Speech to the Western Society of Engineers (18 September 1901); published in the Journal of the Western Society of Engineers (December 1901); republished with revisions by the author for the Annual Report of the Board of Regents of the Smithsonian Institution (1902) http://invention.psychology.msstate.edu/i/Wrights/library/Aeronautical.html <br class="br">Context: The person who merely watches the flight of a bird gathers the impression that the bird has nothing to think of but the flapping of its wings. As a matter of fact this is a very small part of its mental labor. To even mention all the things the bird must constantly keep in mind in order to fly securely through the air would take a considerable part of the evening. If I take this piece of paper, and after placing it parallel with the ground, quickly let it fall, it will not settle steadily down as a staid, sensible piece of paper ought to do, but it insists on contravening every recognized rule of decorum, turning over and darting hither and thither in the most erratic manner, much after the style of an untrained horse. Yet this is the style of steed that men must learn to manage before flying can become an everyday sport. The bird has learned this art of equilibrium, and learned it so thoroughly that its skill is not apparent to our sight. We only learn to appreciate it when we try to imitate it.
George Henry Lewes (1817–1878) British philosopher
The Principles of Success in Literature (1865)
Context: In Science the paramount appeal is to the Intellect — its purpose being instruction; in Art, the paramount appeal is to the Emotions — its purpose being pleasure. A work of Art must of course indirectly appeal to the Intellect, and a work of Science will also indirectly appeal to the Feelings; nevertheless a poem on the stars and a treatise on astronomy have distinct aims and distinct methods. But having recognised the broadly-marked differences, we are called upon to ascertain the underlying resemblances. Logic and Imagination belong equally to both. It is only because men have been attracted by the differences that they have overlooked the not less important affinities.
Yo-Yo Ma (1955) American cellist
National Public Radio's Weekend Edition Sunday Jan. 14, 2007, NPR, 2009-02-03 http://www.npr.org/templates/story/story.php?storyId=6835078,
Harold Rosenberg (1906–1978) American writer and art critic
Source: Art on the Edge, (1975), p. 239, "Reality Again: The New Photorealism"
Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist
Arp on Arp: poems, essays, memories. p. 327 (1958)
1950s
Robert T. Kiyosaki (1947) American finance author , investor
Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!
Franz Marc (1880–1916) German painter
Max Beckmann's opinion on this issue you find in: 'Quotes About Franz Marc', below
Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 445-446