“The painter should not paint what he sees, but what will be seen.”
Paul Valéry (1871–1945) French poet, essayist, and philosopher
Mauvaises Pensées et Autres (1941)
Quote from "The Awe-Struck Witness" in TIME magazine (28 October 1974) http://www.time.com/time/magazine/article/0,9171,908926-1,00.html and in "On the Brink: The Artist and the Seas" by Eldon N. Van Liere in Poetics of the Elements in the Human Condition: The Sea (1985) ed. Anna-Teresa Tymieniecka<br>Variant translations:<br>The artist should not only paint what he sees before him, but also what he sees within him. If, however, he sees nothing within him, then he should also omit to paint that which he sees before him.<br>As quoted in German Romantic Painting (1994) by William Vaughan, p. 68 <br class="br">undated <br class="br">Context: The artist should not only paint what he sees before him, but also what he sees in himself. If, however, he sees nothing within him, then he should also refrain from painting what he sees before him. Otherwise his pictures will be like those folding screens behind which one expects to find only the sick or the dead.
“The painter should not paint what he sees, but what will be seen.”
Paul Valéry (1871–1945) French poet, essayist, and philosopher
Mauvaises Pensées et Autres (1941)
“Painting it's a blind man profession. Painter is painting not what he sees but what he feels.”
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Eli Siegel (1902–1978) Latvian-American poet, philosopher
Everything Has to Do with Hardness and Softness (1969)
Michael Moorcock book The City in the Autumn Stars
Source: The City in the Autumn Stars (1986), Chapter 6 (p. 269)
Franz Kline (1910–1962) American painter
1950's, Evergreen Review, 1958
Giorgio Morandi (1890–1964) Italian painter
in Morandi 1894 – 1964, published by Museo d'Arte Moderna di Bologna, ed: M. C. Bandera & R. Miracco - 2008; p. 298
1945 - 1964
Clyfford Still (1904–1980) American artist
Letter to Dorothy Miller February 5, 1952; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 193
1950s