Quote from Schopferische Konfession (Creative credo) of 1918; first published in 'Tribune der Kunst und Zeit', no. 13 (1920): 66; for an English translation, see Victor H. Miesel, ed. Voices of German Expressionism, (Englewood Cliffs, N.J.: Prentice Hall, 1970); as quoted in 'Portfolios', Alexander Dückers; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 101
1900s - 1920s
“This is the plane whereon the vestiges of all things”
The Seven Valleys Of Bahá’u’lláh
Context: This is the plane whereon the vestiges of all things (Kullu Shay’) On the horizon of [[eternity the Divine Face riseth out of the darkness]] are destroyed in the traveler, and on the horizon of eternity the Divine Face riseth out of the darkness, and the meaning of “All on the earth shall pass away, but the face of thy Lord….” is made manifest.
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Bahá'u'lláh 27
founder of the Bahá'í Faith 1817–1892Related quotes
Source: Semiology of graphics (1967/83), p. 44
Source: Seth, Dreams & Projections of Consciousness, (1986), p. 103-104, quoting from Seth Session 16
Henry J. Waters III (April 22, 2008) "The Tribune's View: The Democrats - Time for Clinton to quit", Columbia Daily Tribune.
Attributed
As quoted in The Observer (17 June 1960)
New Principles of Linear Perspective (1715, 1749)
Context: I make no difference between the Plane of the Horizon, and any other Plane whatsoever; for since Planes, as Planes, are alike in Geometry, it is most proper to consider them as so, and to explain their Properties in general, leaving the Artist himself to apply them in particular Cases, as Occasion requires.
Quote in: 'The Death of Painting'; from the MoMA-website: Interactives: texts https://www.moma.org/interactives/exhibitions/1998/rodchenko/texts/death_of_painting.html
Rodchenko is looking back: in 1921 he executed what were arguably some of the first true monochromes (artworks of one color; source, Wikipedia:Rodchenko)