
O Black and Unknown Bards, st. 2.
Fifty Years and Other Poems (1917)
What Is A Jazz Composer? (1971)
Context: Now, whether there is feeling or not depends upon what your environment or your association is or whatever you may have in common with the player. If you feel empathy for his personal outlook, you naturally feel him musically more than some other environmental and musical opposite who is, in a way. beyond you.
I, myself, came to enjoy the players who didn't only just swing but who invented new rhythmic patterns, along with new melodic concepts. And those people are: Art Tatum, Bud Powell, Max Roach, Sonny Rollins, Lester Young, Dizzy Gillespie and Charles Parker, who is the greatest genius of all to me because he changed the whole era around. But there is no need to compare composers. If you like Beethoven, Bach or Brahms, that's okay. They were all pencil composers. I always wanted to be a spontaneous composer. I thought I was, although no one's mentioned that. I mean critics or musicians. Now, what I'm getting at is that I know I'm a composer. I marvel at composition, at people who are able to take diatonic scales, chromatics, 12-tone scales, or even quarter-tone scales. I admire anyone who can come up with something original. But not originality alone, because there can be originality in stupidity, with no musical description of any emotion or any beauty the man has seen, or any kind of life he has lived.
O Black and Unknown Bards, st. 2.
Fifty Years and Other Poems (1917)
"What Ellen DeGeneres Knows for Sure (She Thinks)" http://www.oprah.com/omagazine/What-Ellen-DeGeneres-Knows-for-Sure-Ellens-O-Magazine-Cover, The December 2009 issue of O magazine
Abstract Expressionism, David Anfam, Thames and Hudson Ltd London, 1990, p. 79
1950s
Interview with Steven Levy in Newsweek (31 January 2007) "Finally, Vista Makes Its Debut. Now What?" http://archive.is/20130105003445/www.thedailybeast.com/newsweek/2007/01/31/finally-vista-makes-its-debut-now-what.html
2000s
As quoted in The Guitar Handbook (2002) by Ralph Denyer, p. 102
"Matter" in Man's Right to Knowledge, 2nd series (1954), p. 10; also in Writings on Physics and Philosophy (1994) edited by Charles Paul P. Enz and Karl von Meyenn
Context: In the new pattern of thought we do not assume any longer the detached observer, occurring in the idealizations of this classical type of theory, but an observer who by his indeterminable effects creates a new situation, theoretically described as a new state of the observed system. In this way every observation is a singling out of a particular factual result, here and now, from the theoretical possibilities, therefore making obvious the discontinuous aspect of physical phenomena.
Nevertheless, there remains still in the new kind of theory an objective reality, inasmuch as these theories deny any possibility for the observer to influence the result of a measurement, once the experimental arrangement is chosen. Therefore particular qualities of an individual observer do not enter into the conceptual framework of the theory.