Auguste Rodin (1840–1917) French sculptor
Albert Edward Elsen (1985). The Gates of Hell by Auguste Rodin. p. 131
1930s and later
Albert Edward Elsen (1985). The Gates of Hell by Auguste Rodin. p. 131
1950s-1990s
Context: In art, immorality cannot exist. Art is always sacred even when it takes for a subject the worst excesses of desire; since it has in view only the sincerity of observation, it cannot debase itself. A true work of art is always noble, even when it translates the stirrings of the brute, for at that moment, the artist who has produced it had as his only objective, the most conscientious rendering possible of the impression he has felt.
Auguste Rodin (1840–1917) French sculptor
Albert Edward Elsen (1985). The Gates of Hell by Auguste Rodin. p. 131
1930s and later
“Poetry and art and knowledge are sacred and pure.”
George Eliot book The Mill on the Floss
Source: The Mill on the Floss
W. H. Auden book The Dyer's Hand
"The Virgin & The Dynamo", p. 62
The Dyer's Hand, and Other Essays (1962)
“I cannot conceive any work of art as having a separate existence from life itself”
Antonin Artaud (1896–1948) French-Occitanian poet, playwright, actor and theatre director
Source: The Theater and Its Double
Jean Dubuffet book Prospectus et tous écrits suivants
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 206