“Of greatest significance to me has been the insight that I attained as a fundamental understanding from all of my LSD experiments: what one commonly takes as "the reality," including the reality of one's own individual person, by no means signifies something fixed, but rather something that is ambiguous — that there is not only one, but that there are many realities, each comprising also a different consciousness of the ego.”

Ch. 11 : LSD Experience and Reality http://www.psychedelic-library.org/child11.htm
LSD : My Problem Child (1980)
Context: Of greatest significance to me has been the insight that I attained as a fundamental understanding from all of my LSD experiments: what one commonly takes as "the reality," including the reality of one's own individual person, by no means signifies something fixed, but rather something that is ambiguous — that there is not only one, but that there are many realities, each comprising also a different consciousness of the ego.
One can also arrive at this insight through scientific reflections. The problem of reality is and has been from time immemorial a central concern of philosophy. It is, however, a fundamental distinction, whether one approaches the problem of reality rationally, with the logical methods of philosophy, or if one obtrudes upon this problem emotionally, through an existential experience. The first planned LSD experiment was therefore so deeply moving and alarming, because everyday reality and the ego experiencing it, which I had until then considered to be the only reality, dissolved, and an unfamiliar ego experienced another, unfamiliar reality. The problem concerning the innermost self also appeared, which, itself unmoved, was able to record these external and internal transformations.
Reality is inconceivable without an experiencing subject, without an ego. It is the product of the exterior world, of the sender and of a receiver, an ego in whose deepest self the emanations of the exterior world, registered by the antennae of the sense organs, become conscious. If one of the two is lacking, no reality happens, no radio music plays, the picture screen remains blank.

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Of greatest significance to me has been the insight that I attained as a fundamental understanding from all of my LSD e…" by Albert Hofmann?
Albert Hofmann photo
Albert Hofmann 42
Swiss chemist 1906–2008

Related quotes

Gillian Anderson photo

“I've always been a believer. I've been a believer in many different realms of alternate reality, the human capacity to move out of different planes of reality. It's something that has been with me since I was a child.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

Time Inc. "8 Questions With Gillian Anderson" http://time.com/4153871/gillian-anderson-questions/ (December 21, 2015)
2010s

Henry Miller photo

“Everyone has his own reality in which, if one is not too cautious, timid or frightened, one swims. This is the only reality there is.”

Henry Miller (1891–1980) American novelist

Source: Stand Still Like the Hummingbird

Parker Palmer photo

“Reality—including one’s own—is divine, not to be defied but honored.”

Parker Palmer (1939) American theologian

Source: Let Your Life Speak: Listening for the Voice of Vocation (1999), p. 51

Jerry Coyne photo
Richard Wilbur photo

“The relation between the artist and reality is an oblique one, and indeed there is no good art which is not consciously oblique. If you respect the reality of the world, you know that you can approach that reality only by indirect means.”

Richard Wilbur (1921–2017) American poet

As quoted by John Gery in Ways of Nothingness: Nuclear Annihilation and Contemporary American Poetry (1996)
Context: In each art the difficulty of the form is a substitution for the difficulty of direct apprehension and expression of the object. The first difficulty may be more or less overcome, but the second is insuperable; thus every poem begins, or ought to, by a disorderly retreat to defensible positions. Or, rather, by a perception of the hopelessness of direct combat, and a resort to the warfare of spells, effigies, and prophecies. The relation between the artist and reality is an oblique one, and indeed there is no good art which is not consciously oblique. If you respect the reality of the world, you know that you can approach that reality only by indirect means.

Piet Mondrian photo
Jane Roberts photo
Kanō Jigorō photo

“I do not feel inclined to take any initiative. For one thing, Judo in reality is not a mere sport or game. I regard it as a principle of life, art and science. In fact, it is a means for personal cultural attainment.”

Kanō Jigorō (1860–1938) Japanese educator and judoka

Budokwai Bulletin (1947)
Context: I have been asked by people of various sections as to the wisdom and possibility of Judo being introduced with other games and sports at the Olympic Games. My view on the matter, at present, is rather passive. If it be the desire of other member countries, I have no objection. But I do not feel inclined to take any initiative. For one thing, Judo in reality is not a mere sport or game. I regard it as a principle of life, art and science. In fact, it is a means for personal cultural attainment. Only one of the forms of Judo training, so-called randori or free practice can be classed as a form of sport. Certainly, to some extent, the same may be said of boxing and fencing, but today they are practiced and conducted as sports. Then the Olympic Games are so strongly flavored with nationalism that it is possible to be influenced by it and to develop "Contest Judo", a retrograde form as ju-jitsu was before the Kodokan was founded.

Robert Greene photo

Related topics